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Tag Archives: adobe photoshop
Cool in Manchester
I just wanted to share a couple of shots taken in a hotel lobby after a winter/snow shoot in Manchester.
The rest of the shoot is coming soon.
Photographer: Dave Kai Piper
Hair & Beauty: Samantha Mercer
Models: Alpha Agency (thank you to Liz for all the hard work getting this shoot together)
Salford Quays | Manchester
Huge thank you to Mark Evans & Chloe-Jasmine Whichello !
All these are shoot with a 50mm, Nikon d90 and lit using the SB910 / Orbis
Tagged 50mm, 50mm @ F1.4, Adobe Lightroom, adobe photoshop, Alpha Agency, birmingham, Bryon Paul McCartney, Chloe-Jasmine, Chloe-Jasmine Whichello, dave kai piper, Dave Piper - Latest Work, Eddie the Tripod (to hold the reflector), Edits, Fashion, fashion shoot, Manchester, Music Photography, NIK Software., Nikon D90, Orbis, Photography, Photoshop, Photoshop tutorial, Salford Quays, Samantha Mercer, SB910, wedding photographer birmingham
Orbis Interview
A while ago…
I met a man called James, he showed me a flash adapter called the orbis® ring flash, I got my grubby hands on one and its been love ever since. I was asked to do an interview for the website and blog, This is shown below. If you know me or have seen me shooting, you will kn0w how much love and use my Orbis. I am not just trying to sell the thingy or be a promo spokes person. It’s something I actually enjoy using and suits my style very well. It also just happens that the Orbis people are uber cool people too.
All the photos on this blog are shot with a Nikon camera (D90 and D700) a fast prime lens, an SB900 with an orbis® ring flash mounted via my frio™ (on Eddie, the 3 Legged Thing tripod.)
“Do you want the truth or something beautiful?”
When you get a man like Dave Piper to sit down and answer questions for you, what do you ask him for an exclusive orbis® ring flash interview? Perhaps, something about his equipment? Or maybe the work he did at The Cannes Film Festival? Or perhaps instead, like us, you’d ask him what he thinks about before he presses the shutter button (and read quite possibly the most eloquent answer to that question we’ve heard in a long time…).
We chat about his muse Chloe-Jasmine Wichello, shooting in London the day after The British Music Awards and how he thinks photography holds up against the heavyweights of digital media. Ladies and gentlemen, Dave Piper…
Q: How long have you been a photographer?
All my life I have had a love for art and story. I have spent my last four years shooting weddings, bands, portraits and fashion editorials. My time is balanced out with many other things. Most photographers have a number of incomes and I am no different. Much of my time is spent split between my re-touching service and bespoke one-to one workshops.
Q: Are you a pro or amateur? What was your breakthrough, either when you knew you were in love with photography or when you became pro?
Well, I have had a romantic link with photography in all its shapes and forms for as long as I can remember. People like Tim Burton have had an untold influence on the way I see the world, it’s all about the artistic vision for me. How could someone not love the world of photography, it shapes and drives everything around us?
I remember during a photo shoot at Cannes Film Festival this year, pausing and thinking, am I really here?… This year alone I have been to more places than I ever thought possible, all of it due to photography. One of my first breakthrough shoots was…. … a shoot with celebrity Aussie designer, Joe Challita. We took three beautiful models in these amazing dresses and did a shoot in the middle of London the day after the British Music Awards.
Teaching with Bryon Pa ul McCartney on his Tuscan based workshops was a good step forward. Bryon was the first person to show big trust and faith in my work, both shooting and teaching. Another big turning point was meeting my partner and muse, Chloe-Jasmine Whichello. 90% of my best work is with Chloe and a constant source of inspiration.
In 2009, I was walking around the Focus on Photography (Birmingham, UK) event thinking how amazing it would be to have a portfolio made by Epoca. Last year I got a phone call. It was from a lady called Terri Romolo; she works for Album Epoca. Terri had called me to ask if they could use some of my photography for the books on display at the exact show I was at the year previous. Terri and Epoca have been amazing to me since and continue to produce the most stunning wedding and portfolio books. My Epoca portfolio goes everywhere with me.
Photo © Dave Kai-Piper. Model: Chloe-Jasmine Whichello
Q: Tell us a bit about the setup for your photo shoot(s) – lighting, equipment, post processing?
“Content is King”, Sir Cecil Beaton showed us this. Simplicity is the key for me and I shoot with Nikon cameras and fast prime lenses. Very simple kit and lets me be super mobile. A lot of the time I shoot with reflector or the orbis® ring flash on a tripod.
There is a clear difference between digitally editing photos and digitally developing them. I work to an Adobe workflow system. Bridge > Lightroom > Photoshop. Over the last year or so, I have started to implement a system using a Duotone and Tritone colour palette and have found some inte resting colour effects. There are many great plug-in’s perfect for weddings and such; I’m using the Nik Software plug-ins. Although a lot of people might think so, I don’t actually use a Mac set up. I use Dell workstations, Wacom Tablets and Dual Dell screens. Lighting wise, I love to try and be as natural as I can, but when shooting in a studio or working with flash, I currently use the new Trinity Lights from Elemental, very nice lights indeed.
Q: How did your orbis® help?
I do love the orbis®, I might use it in a strange way though. My orbis® pretty much lives mounted via my frio™ (on Eddie, the 3 Legged Thing tripod). I use it to provide back lighting and extra light to shape and illuminate people. I find the orbis® is great at creating mixed lighting (natural & flash). With a quick flick of a button you can have an instant soft box. Stand behind it and shoot through it, you have a ring flash, stand someone in front of it, you have a backlight. Kids love it too as it doesn’t get hot. I’m about to start taking two orbis® flash units with me to instantly create fast simple lighting solutions. It’s comforting to know that the orbis® will bail you out of tricky low light problems. The orbis® is perfect for those close up macro photography shots too.
Behind the scenes with Chloe-Jasmine (Make up Artist) & Oliva Ward (model) Gingersnap Models
Q: The orbis® is designed to give photographers an edge. It’s very challenging to make a living as a professional photographer, what are your tips for staying competitive in the industry?
Produce things that people need and want. Be in the right place at the right time. I guess it’s just that simple. Which is why it’s so challenging at the same time. It’s about getting the job done. Get the job done in the most stylish way possible.
Q: Your photos have a particular quality to them, how would you describe your personal style?
My work has started to develop a style that is both colourful and playful while keeping a high impact and vintage ethic. I like to give an element of story and drama. As a designer, this concept of story and narrative is always close by. I want to be entertained. Many of my artistic influences are film makers and musicians.
My Dave Piper photography website has the tag line :
“detail and clarity, fused with narrative form and function”.
Q: Are you a self-taught photographer, did you go to college or university, or did you have a mentor?
Fully self taught, sitting down and learning things does not come naturally to me. I learn best by observation. I cut my teeth with a wedding company called Prestige Photography. One day I walked in and asked for a job. A year later I was asked to assist on a wedding with them. Darren Rudge was the man that took that gamble. He looked after me for a while until I turned to the fashion world. Most of my awareness has come from the pages of Vogue, 125 Magazine, Love Magazine, Hollywood and MTV.
Creative minds like Tim Walker, Robert Voltaire, Sylvie Blum, David LaChapelle, Sally Mann, Jerry Uelsmann, Sir Cecil Beaton, Rankin and Woland continue to teach me.
I have never had a mentor as such, but lots of people have looked out for me. Bryon Paul McCartney would be one person who went out of his way to give me a break, I owe a lot to him.
Photo © Dave Kai-Piper. Model: Chloe-Jasmine Whichello
Q: Is there something you always ask yourself/think just before you press the shutter button?
It’s usually “Is this photo going to sit on my hard drive forever, untouched and just wasting space?”. With the Digital Age, its very easy to shoot 1000`s of frames. This is a pet hate of mine. If I shoot 50 frames, it would be nice to have 30 usable photos and 10 great frames. 80% of photography is done before you press the shutter. The thing I tend to think about before pressing the shutter is “Am I ready to press the shutter?”.
Q: What is one last impression you want to leave in your photos?
That’s an interesting question. Many people these days just see photography as something that is used to paparazzi celebrities. I want to leave the idea that, with all the many forms of digital media today, the still photograph is still king.
Q: Do you have any tips for those looking for advice from recognised photographers?
Have a vision, have an idea and have respect for the people around you.
Follow photographers’ blogs, send them questions, and ask to help, ask to assist. I love to get questions via e-mail and my blog. Many photographers will take the time to get back to you, as long as you ask sensible questions. Ask the normal, what brand camera do you use, and don’t sit about waiting for a reply. Be open and interesting, ask those questions that get people engaged. Above all, be confident in yourself.
Photo © Dave Kai-Piper. Model: Chloe-Jasmine Whichello
Q: Where can we hear more from you or see more of your work?
Check out my blog and website, or come say hi on Facebook. My website also has a contact page for more info.
Email |dave@davepiper.org.uk? 500px | http://500px.com/DaveKaiPiper
Dave Piper is but one of the many amazing photographers that we’ll bring to the forefront through a series of orbis® blog interviews. We’re stoked to have a diverse range of photographers equipped with the orbis® and even more so that we can share their tips and insights, because sharing is caring!
For stunning results like Dave, get your own orbis® in the enlight photo pro store and check in next month to see who’s getting amongst it with the orbis®!
Tagged 3 Legged thing., 50mm @ F1.4, adobe photoshop, birmingham, birmingham acadmey, Bryon Paul McCartney, Chloe-Jasmine Whichello, dave kai piper, Dave Piper - Latest Work, Edits, Fashion, fashion shoot, flash, Joe Challita, Nikon D90, orbis® ring flash, photo editing, Photographers, Photography, photoshop info, Photoshop tutorial, portrait, Punk Rock, ringflash, speedligh, strobist, wedding photography
It’s all about being inspired !!

It’s all about being inspired !! This blog is really inspired by the vastly talented Camilla Akrans. Camila is the photographer that can lay claim to the photography used by Rhianna for the LOUD album. I love the tones Camilla has used, the bright red hair reminded me of another great album cover. I was inspired to do a Dave Kai Piper inspired mix of the two great shots.

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Having the right look or image of paramount importance for the modern artist in the super fast turbulent music world. Just being noticed is hard enough, you have to look good too. Just look at the pop stars of today, the presentation and image can be more important than music created. Lady GaGA is an artist who has clearly fully understood this. Big money is spent on crafting personal images that can be sold and marketed worldwide. As a photographers we are a crucial and powerful cog in the media machine that enables this to happen. Its a tricky thing to get right. How does one begin to shoot a cover photo for someone like pop singer Rhianna. Camilla Akrans is the photographer responsible for Rhianna’s LOUD album. She did, what I think, is utterly fantastic job on the album. Its a great sexy and fashion look, something Camilla does seem to pull of again and again with sumptuous effect. It is clear that hours of careful planning and test shoots would of taken place to create such a project.
I have used Camilla’s wonderful work to inspire a shoot of my own. But, as always wanted my own spin on the idea. I wanted to show you my take on the purple duotone / cross processed look that Camilla has used to perfection on her cover shoot. Marilyn Manson had a very popular album called Mechanical Animals, it has this wonderful androgynous look, together with the red hair. These were my visual ques. The very beautiful Victoria Coutts from Gingersnap Models stepped in for me. The wonderful Chloe-Jasmine Whichello added the perfect make up.
We had our model, our inspiration, we just needed the photo!
CLICK HERE FOR A FULL PDF GUIDE on how the photo was shot and edited.







Tagged 3 Legged thing., 50mm @ F1.4, A pretty model, Adobe Lightroom, adobe photoshop, album art work, album music cover, androgynous, blue eyeshadow, blue lips, Camilla Akrans, Chloe-Jasmine Whichello, cross processed, dave kai piper, Dave Piper - Latest Work, eddie, eddit, edit, Edits, Fashion, fashion look, fashion shoot, Frio, Gingersnap Models, how to guid, loud, marylin manson, Mechanical Animals, Music Photography, Nikon D90, Orbis Flash, personal images, Photographers, Photography, photoshoot, Photoshop, photoshop info, Photoshop tutorial, photoshot, purple duotone, red hair, Rhianna, sexy and fashion look, Tutorial, Victoria Coutts, wedding photographer birmingham
The orbis® Flash
My little review of the orbis® flash adaptor
I was first introduced to the orbis® Flash at Focus On Imaging in Birmingham earlier this year. For those of you who have not heard of this gadget, “the orbis® easily turns your harsh SLR flash into beautiful, shadowless light - the ring flash effect, with equipment you already own” is the promise from inventor James Madelin.
The pictures below are all shot using the orbis® attached to a SB900. Shot with a D90 @ 50mm. Eddie and a Frio were used to mount everything together.
Model & Make-up: Chloe-Jasmine Whichello
In a nutshell the Orbis® Flash is an adapter that shapes the light coming out of your speedlight / flash into a much nicer shape while adding a certain about of defusing at the same time. It has been called a budget Ringflash. Its important to not compare the orbis® to a 800watt mains powered Bowns or Profoto Ringflash, in my eyes they have been designed to meet different needs. They both have good points and bad points. If you are in a studio environment and have the time to set up a proper ring flash, then the orbis® is never going to be able to stand up to the raw power. This is due to the fact that the orbis® powered by a speedlight pushed into the bottom, its only reflecting the light into a better shape. It’s only going to ever be as strong as what ever speedlight you are using. I am lucky enough to have the SB900 Nikon flash which does kick out a strong light. This has led to overheating problem when attached the orbis® though. The studio is clearly not where the orbis® has been designed for.
A ringflash is a flash that is designed to wrap around the end of the lens leaving a space for the lens to come though the middle, the idea is that, this should leave very little shadow , creating even and soft light on the subject, I think, it was a dentist that first came up with the idea. Its the sort of lighting that forensic photographers use. Its used a lot by beauty and fashion photographers as it can be used to show great detail. Ringflash lighting is clean and simple to use. Most people use a ringflash close up for head shots. Usually a ringlash is part of a lighting set up in a studio with a hair light or back light too, nothing stops you from using it on its own though.
For me, the orbis® really comes into its own when you step outside or need a very lightweight portable lighting solution. With the rise of the popular Strobist / off-camera flash look it was only a matter of time before the big company started to make lighting modifiers for speedlights. Nothing really has come though as good as the orbis® though, It shapes the light so nicely. As a photographer, this is the single most important factor. For the last couple of months the orbis® has lived in my camera bag, at first, I never really used it that much. I do love natural light. At times I never even carry my flash, this would mean carrying an orbis® would be even more silly. I had the idea that the orbis® would only give me the Strobist look, something that I didn’t want. It was after a couple of weeks I started to really start shooting with the Orbis to see how versatile it is. Most of the time that I used the Orbis, it is mounted on Eddie ( 3 legged thing) and used as back light , side light or to create funky catch lights. Most of the shots taken don’t even look like they have had any flash at all. You can get some super soft lighting, and quickly do the super lightweight set up of the kit.
I have used the orbis® with the Frio, with a SB900 All mount on super lightweight Carbon Fibre Tripod from 3 Legged thing. Shooting Nikon is great as there is no need to buy any remote triggers, you can just set the Speedlight and Camera to fire remotely. You can do all adjustments in the camera menus. You can also pick up the orbis® camera mountings which nicely mount the flash,orbis® and camera all together. Great for shooting though the center of the orbis® in a ringflash style.
So its light, cheap and greats great light. But, it can be bulky as a portable bit of lighting kit at times, it does overheat the flash if used “pap style”, when mounted on the camera, it does create a bit of a funny weight problem. There is also a small problem of being able to fully use the lenses to zoom or focus as the orbis® sits over this part of the lense (when shooting though it) I get round this by mounting the orbis® on the Tripod and just shooting though the middle. Pretty much all lenses do fit, of course a 200mm f2.0 wont fit, but why would you need it to !!
To sum up, for the small downsides the orbis® has, it’s quickly turning into a vital part of my camera kit. While out on a shoot, just having it close by is a comfort, knowing how much of a creative tool it can be. I am very sure Nikon, Cannon, Metz and the other lighting companies starting kicking them self when they saw the orbis®. I would never dream of using my Speedlight without the orbis® attached now. I would love to see some colour gels for the orbis®, and I wonder if orbis® will ever make their own flash to fit the adapter in an even more snug way, I don’t know, I hope so as most of the downfalls are not the orbis®s fault but in fact limits of the flash units.
The photos of Chloe-Jasmine on this blog are all shot using the orbis®, the very top photo is using the orbis® as a ringflash, the next two underneath are using the orbis® as an off-camera flash, balancing with the window lights. These photos were taken on my living room floor and wall. Mains powered ring flashes tend to be very powerful and hard to mix with natural light. Another point for the orbis®.
In a couple of days, I am flying off to teach on Bryon Paul McCartney’s art Nude workshops. I have given a great deal of thought to which kit get the nod and gets to come with me. Space is very tight when packing to travel and fly. The pros and cons of the orbis® are very clear. The shape and light that it gives, the creative ways that it can be used are enough to justify the size and bulk. Are are also taking an Elinchrom quadra if things need that bit extra. In Tuscany, there is always great light, we tend to use alot of reflectors to balance out shadows, but this year, I feel the orbis® will be taking care of the fill lights and helping to creative effect. I am hoping that cooling the flash head in the Tuscan sun will not be to much of a problem, we shall see !
Overall, does the orbis® work. Yes. Should you have one, very much so. If you are an events photographer, Sports, Wedding, Portrait or art photographer, there are very few reasons why you should not have an orbis®
Do also check out the Frio and 3 legged thing Tripods. The Frio is very clever little clip that enables you to mount the flash to a tripod, it has a very simple and safe locking system. I was and do use the fabulous tripods from 3 legged thing
Be sure to check out the orbis® Flickr group ( link )
I always have a flash gun with me. An orbis® would be ideal for shooting in low light environments without wanting to overpower the ambient. My ring flash on its lowest setting is still really powerful – Christian Scott
Tagged 3 Legged thing., 50mm @ F1.4, A pretty model, Adobe Lightroom, adobe photoshop, birmingham, birmingham acadmey, Bryon Paul McCartney, Carbon Fibre Tripod, Chloe-Jasmine, Chloe-Jasmine Whichello, Dave Piper - Latest Work, Edits, fashion shoot, flash, Frio, James Madelin, models, Music Photography, NIK Software., Nikon, Nikon D90, off camera flash, Orbis, Orbisringflash, orbis®, photo editing, photographer, Photographers, Photography, photoshop info, ringflash, wedding photography
Venice | Workshop
Venice | Workshop
From Beginner to Professional, anyone can enjoy Venice.
We are offering 6 places with myself and Chloe-Jasmine, to have guided shoot in the world most romantic city.
We shall create stunning fashion based portraits using the gorgeous natural light in the morning, then warm golden touched shots in the evening. During the day we shall be looking at and focusing on style, and mood, the use of shape and light and Digital Post Production that is quick, clean and simple
Chloe-Jasmine Portfolio – Click here to see Chloe’s agency portfolio
click for booking info – click here to book your place

If you have any questions, please do ask away, you can contact me via Dave@davepiper.org.uk.
Limited to 6 places
22 June 2011
£385 pp
Tagged 3 Legged thing., 50mm @ F1.4, A pretty model, Adobe Lightroom, adobe photoshop, beach, birmingham, birmingham acadmey, Chloe-Jasmine, Chloe-Jasmine Whichello, coast line, dave kai piper, Dave Piper – Latest Work, Dorset, Durdle Door, Eddie the Tripod (to hold the reflector), edit, Gold reflector, Imagenomic’s Portraiture, italy workshop, landscape, Lulworth Cove, Music Photography, NIK Software., Nik Software’s Colourfx, Nikon D90, Photo edit, photographer, Photoshop, Quick Fashion Edits, Shire County Guide, street fashion, street photography, sunny summer portrait, Sunset, teaching, venice, venice workshops, water, wedding photography
Durdle Door, Dorest | Landscape Photography
Location: Durdle Door near Lulworth
Durdle Door is the giant rock archway a mile west of Lulworth Cove, which juts out to sea “like a great beast’s head” (Shire County Guide). It is normally reached by a half-hour walk from Lulworth Cove car park west along the Dorset Coast Path. This runs along the clifftop or headland overlooking Man 0’War Bay (enclosed almost as a lagoon by Man 0’ War Rock). Another access route is south via Daggers Gate and Newlands Farm, through Durdle Door Caravan Park. - Text from (link)
All photos taken on a nikon d90 with a 18-200vr
Black and white conversion in Nik software
Photomerge in Photoshop
Tagged 3 Legged thing., 50mm @ F1.4, A pretty model, Adobe Lightroom, adobe photoshop, beach, birmingham, birmingham acadmey, Chloe-Jasmine, Chloe-Jasmine Whichello, coast line, dave kai piper, Dave Piper – Latest Work, Dorset, Durdle Door, Eddie the Tripod (to hold the reflector), edit, Gold reflector, Imagenomic’s Portraiture, landscape, Lulworth Cove, Music Photography, NIK Software., Nik Software’s Colourfx, Nikon D90, Photo edit, photographer, Photoshop, Quick Fashion Edits, Shire County Guide, sunny summer portrait, Sunset, water, wedding photography
Sneak Preview | Fashion Photography
Photography: Dave Kai Piper
Styling: Krishan Parmar
Make up & Flowers: Liv Free
Model: Chloe-Jasmine Whichello
Corset & Dress: Epoque
Thank you to Karl Baxter & Gingersnap Models
Styling: Krishan Parmar
Make up & Flowers: Liv Free
Model: Chloe-Jasmine Whichello
Corset & Dress: Epoque
Thank you to Karl Baxter & Gingersnap Models
Cornmill Studios | England

Tagged 3 Legged thing., 50mm @ F1.4, A pretty model, Adobe Lightroom, adobe photoshop, birmingham, birmingham acadmey, Chloe-Jasmine, Chloe-Jasmine Whichello, dave kai piper, Dave Piper – Latest Work, Eddie the Tripod (to hold the reflector), edit, Gold reflector, Imagenomic’s Portraiture, Music Photography, NIK Software., Nik Software’s Colourfx, Nikon D90, Photo edit, photographer, Photoshop, Quick Fashion Edits, sunny summer portrait, wedding photography
Party in the Park | Portrait Fashion Shoot
The last couple of weeks, I have been planning lots of new editing guides and workshops, these means lots of shooting and trying new editing programs, styles and plug-ins. These photos have been edited using the Nik Software Colour Efex program, I have to say, I do quite like it.
These photos are were taken at about 6:30 during the sunset, Chloe-Jasmine Whichello was my lovely model.
I have used:
- Nikon D90
- 50mm @ f1.4
- Nik Software’s Colour Efex
- Adobe Photoshop
- Adobe Lightroom
- Imagenomic’s Portraiture
- A pretty model
- Gold reflector
- Eddie the Tripod (to hold the reflector)
- The Orbis Flash adaptor
Tagged 3 Legged thing., 50mm @ F1.4, A pretty model, Adobe Lightroom, adobe photoshop, birmingham, birmingham acadmey, Chloe-Jasmine, Chloe-Jasmine Whichello, dave kai piper, Dave Piper - Latest Work, Eddie the Tripod (to hold the reflector), edit, Gold reflector, Imagenomic's Portraiture, Music Photography, Nik Software's Colourfx, NIK Software., Nikon D90, Photo edit, photographer, Photoshop, Quick Fashion Edits, sunny summer portrait, wedding photography
Quick Fashion Edits | A Summer Shoot
So the other day the sun was shining, my muse , Chloe-Jasmine, was laying on the lawn, I grabbed the camera and we had a little mini shoot. I thought it might be interesting to show how fast and simple a cool edit can be created.
Time taken – 10 mins. 15mins if you count taking the photo. This is the power of plugins.
I have used:
- Nikon D90
- 50mm @ f1.4
- Nik Software’s Colour Efex
- Adobe Photoshop
- Adobe Lightroom
- Imagenomic’s Portraiture
- A pretty model
- Gold reflector
- Eddie the Tripod (to hold the reflector)
So, the sunshine was our major light here, Chloe-Jasmine, our model, is laying down with a gold reflector being held vertical by Eddie (my tripod) to bounce some light into the hair and lighten the harsh shadows. We used the gold side to get the golden colour. Being careful to not block my own shadow and not drop the camera on my model, I took my photo
Simple. I love my 50mm f1.4 lens.
I took a bunch of other shots too, loaded them into Lightroom, found the shot I wanted to use, and loaded up the photo into Nik Software’s Colour Efex plugin tool. To be honest, I am still not a great fan of using plugins, as I do love Photoshop, But the collection of toys from Nik Software are extremely good. We are going to use the INK preset, then make some minor tweaks and fire on. We are going to make some other adjustment later in Photoshop too. But for now, the edit in Colour Efex is perfect.
The photo is saved out of ColourFX and then though Lightroom is sent to Photoshop. To edit the photo in other tools, just right click, >edit in>Photoshop> select the way it opens. When you use a Nik Software plug in, it makes a Tiff copy of the photo, this is Photo that is sent to PS.
I start by making a duplicate layer and going to work using nothing more than the clone and stamp tool. Removing all the detail and cleaning up the photo. The sunglasses are the main area that gets worked on, then the skin is edited up.
The Skin is done 90% using the stamp and clone tool, then a quick run though Imagenomic’s fantastic plug , Portraiture. The plug in is ran at 100% on most settings then the layer that is now super soft is blending now and applied where needed using a couple of layer masks.
None of my edits would be complete without some kind of funky duotone layer. For this edit, I have used a purple layer in screen mode to lift the tones. Then… your pretty much done, After a quick run over with the Unsharpen Tool controlled with another layer mask of course. Add your watermark or credit and away you go. Your sunny summer portrait is done.
These are a couple of others that were shot the same day
Tagged 3 Legged thing., 50mm @ F1.4, A pretty model, Adobe Lightroom, adobe photoshop, birmingham, birmingham acadmey, Chloe-Jasmine, Chloe-Jasmine Whichello, dave kai piper, Dave Piper - Latest Work, Eddie the Tripod (to hold the reflector), edit, Gold reflector, Imagenomic's Portraiture, Music Photography, Nik Software's Colourfx, NIK Software., Nikon D90, Photo edit, photographer, Photoshop, Quick Fashion Edits, sunny summer portrait, wedding photography










































