Tag Archives: Fashion

Cool in Manchester

I just wanted to share a couple of shots taken in a hotel lobby after a winter/snow shoot in Manchester.

The rest of the shoot is coming soon.

Photographer: Dave Kai Piper
Hair & Beauty: Samantha Mercer
Models: Alpha Agency (thank you to Liz for all the hard work getting this shoot together)

Salford Quays | Manchester

 

Huge thank you to Mark Evans & Chloe-Jasmine Whichello !

All these are shoot with a 50mm, Nikon d90 and lit using the SB910 / Orbis

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JOE CHALLITA – RAGMAG Interview

ROYAL INCLINATION

JOE CHALLITA’S HAUTE COUTURE

All Words by FIDA CHAABAN

RagMag Original Article Published March 2011 Issue 10

http://www.ragmag.co/cat/fashion/royal-inclination

 

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JOE CHALLITA, 31 year old Australian-Lebanese designer, adores women. RAGMAG knows this because only a self professed “dreamer and a helpless romantic” could create gowns that virtually sing. We decided on JOE for our ROYAL ISSUE because the man brings out our love affair with fashion on a grand scale. Graduating with a double degree in Arts and Law and becoming a qualified solicitor, he then transitioned into fashion. We spoke to JOE about celebrity, geographical influences of the Commonwealth and Lebanon, Khalil Gibran, and WHAT MAKES HIM FIT TO DRESS THE QUEEN.

Do you feel that couture is as highly valued in North America as it is in Europe and the Middle East?
Haute couture has always been valued in all three, but in different ways. Europe is the birth-place of haute couture and the godmother of haute couturiers. It is the place where its appeal stems from, and it is the place most sought after by designers wanting to take part in the most prestigious fashion shows, like Paris Fashion Week. Whilst North America gives the opportunity for these creations to take life and shine in the spotlight on the red carpet, like the Oscars, the Emmy Awards etc.. Most importantly through Hollywood and art we are able to see fashion and couture take life and form. It becomes the platform of inspiration and aspiration. The Middle East is giving birth to new big names in the Haute Couture world who are making a statement in Europe with their distinctive style and feminine appeal. Hence, they are most sought after on the red carpet. According to recent reports the Middle East is saving the dying couture in Europe, as the Middle-Eastern taste and quest for luxury is sustaining haute couture, through Arab royals, princesses and wealthy women.

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Who would you like to dress from the new glitterati in Lebanon, North America and Europe?
Yasmine Hamdan – she is avant-garde, alternative, modern and edgy. A new fresh face in the Lebanese scene. In North America Natalie Portman for her classic beauty and Dita Von Teese in Europe. She oozes femininity, I love her style and her vintage beauty.

Designer that you feel most influences your style?
Christian Dior, we share the same sentiment. Making women be in touch with their femininity through design principles. I appreciate Galliano’s modern interpretation of the Dior label.

One collection of yours was opera inspired. Name a few operas and arias that really embody your work?
“Wishing You Were Somehow Here Again” and “Think of Me” from the Phantom of the Opera. Maria Callas was also an inspiration.

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As for classical masters in music, please name a few composers and pieces that SOUND like a gown of yours?
The Concierto de Aranjuez is a composition of classical guitar and orchestra by the Spanish composer Joaquín Rodrigo. He described the concerto itself as capturing “the fragrance of magnolias, the singing of birds, and the gushing of fountains” in the gardens of Aranjuez, and that description gave me a vision of a butterfly hovering over Rodrigo’s magnolias and gushing fountains; hence my pink butterfly dress in my Opera collection is a dedication to that, and the delicate, ephemeral white wedding dress of the Opera collection a dedication to his magnolias.

How do you feel about being from the Commonwealth?
My inspiration is deep-rooted in Australia’s English heritage beginnings. I am inspired by the Victorian heritage of Australia…the romance of Victorian costumes, appreciation of natural fibres – old English looms and laces and usage of organic cottons in couture. I have been an avid collector of Victorian remnants, clothing and accessories since I was 18 years old. The availability of these in Australia have inspired me deeply in appreciating old fashioned handiwork and couture sensibilities, and kept me in touch with English heritage. When I make wedding gowns I think of them as heirlooms to be passed on from one generation to another, and this approach is a Victorian-English sensibility. Often a client would use part of a wedding gown in the making of a Christening gown of a future baby, so I take this into account, and it adds romanticism to the making of the wedding gown.

Do you think today’s monarchy brings the same élan to couture? Which royal would you like to dress?
Today’s monarchy is definitely not the same as the past unfortunately. Today monarchs are more physically active, and in turn they need to be more practical. Princess Mary of Denmark and Queen Rania of Jordan are worth noting for their style. Queen Rania is the most beautiful royal alive on our planet. She oozes style, grace, chic and at the same time she is real with a modern approach. She is the best example of a modern royal.

What should a couture gown say about the woman wearing it?
A gown should be an extension of a woman… the gown must be able to highlight a woman’s persona and style and not overkill her.

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Do you feel that the Middle East has given rise to real fashion talent? What did you learn during your training under Elie Saab?
Yes, most definitely. We have a fresh young generation that is far more diverse, experienced and cultured, and are making a statement globally. The most valued lessons [I learned from Elie] were more on a personal level. Determination and a humble approach are two key elements he instilled in me. His support and encouragement has helped me fulfill my dream.

Talk about the values and traditions of couture and how your line follows that mantra. What sensibilities do you incorporate? Discuss some of your methods.
Exclusivity and making only oneoff garments. A couture garment is a piece of art, hand-made and one of a kind with many, many hours spent on making the garment by hand. The point of difference offered to clients through couture is uniqueness. Moulding and draping fabrics on the actual body of the client. Hand embroidery, crochet and beading are all done in-house.

Can you compare yourself to a man in history?
Gibran Khalil Gibran, the Lebanese poet and mystic. He wrote his feelings in poems, I transcend my feelings through fabric. I feel as though we are kindred spirits.

Do you feel that women today are less invested in their appearance?
On the contrary, there is a return or a revival to elegance and style and appreciation of couture. The point of couture is to be unique, and that uniqueness and exclusivity is most sought after. Couture is not about trends.

Where in the world is for you an ideal place to draw inspiration from?
Beirut has always been the source of my inspiration, it is the only place where I feel most alive and inspired. Maybe because it is where my roots lie, especially coming from a culturally rich background, it has so much to offer from history and art to music and geographic location. Contrary to my Australian inspiration, Beirut gives me excess, glamour, and drama. I am fortunate to have deep awareness of both cultures as my work embodies the melange of the two.

Do you believe that some of history’s most notorious couturiers were also some of the biggest fashion icons of the day?
Most definitely like Chanel in the 30’s and Dior in the 50’s. Chanel freed women from the restrictions of previous fashions, and Dior created the luxurious New Look after the restrictions of the war-stricken 40’s.

What was your opinion of Sophia Coppola’s interpretation of Marie Antoinette and more importantly, what did you think of the fashion involved in the movie? There was such a heavy wardrobe and wig and shoe focus.
The movie was a gorgeous looking soufflé with pastel-coloured hues. It is a visual feast of extravagant costumes, opulent surroundings and fluffy cakes and macaroons! The movie lacked political subtext, but it is most definitely more of a celebration of feelings and visual voyeurism into Marie Antoinette’s private life.

Do you see your designs evolving? What are some transition points in your life that have been reflected in your gowns?
Yes, I am ever evolving- it is a natural course of personal growth, however my signature style and touch will always remain. My upcoming collection is ethereal and light. What I do is a passion to bring back the appreciation of couture and the beauty that lies within it. In a world of commercialism and lack of authenticity, I feel compelled to share my art that is made with love.

Photography by Dave Kai Piper

BY FIDA CHAABAN

RagMag - http://www.ragmag.co/cat/fashion/royal-inclination

 

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When in Munich . . .

Just trying to keep up to date with this blog is tough work !  Anyway.. so while in Germany Coaching and shooting away, Chloe-Jasmine and I had the wonderful pleasure of working with Munich based make up artist, Diana Zwarthoed.

As I was flying to Munich, I had to pack very light, these photos have been shot in the most simple way with a Single speed light using the Orbis Ringflash adapter. I used a single SB900 flash powered by the Godox Propac Battery. Everything was mounted onto my trusty Eddie Tripod (3 Legged thing).  Shooting tethered into Lightroom helped check the focus was bang on for each frame.

85mm F2.2 @200 iso with a D700 – Thank you to Ian for the use of the camera & Lens, and Herb for the use of his Kitchen wall.

The photos have had a Duotone effect to process them, the BW conversions are also using a Duotone process.

Photographer: Dave Kai-Piper
Hair & Beauty: Diana Zwarthoed
Model: Chloe-Jasmine Whichello

Putzbrunn : Munich

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Orbis Interview

A while ago…

I met a man called James, he showed me a flash adapter called the orbis® ring flash, I got my grubby hands on one and its been love ever since.  I was asked to do an interview for the website and blog, This is shown below.  If you know me or have seen me shooting, you will kn0w how much love and use my Orbis. I am not just trying to sell the thingy or be a promo spokes person. It’s something I actually enjoy using and suits my style very well. It also just happens that the Orbis people are uber cool people too.

All the photos on this blog are shot with a Nikon camera (D90 and D700)  a fast prime lens, an SB900 with an orbis® ring flash mounted via my frio™ (on Eddie, the 3 Legged Thing tripod.)

 

“Do you want the truth or something beautiful?”

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When you get a man like Dave Piper to sit down and answer questions for you, what do you ask him for an exclusive orbis® ring flash interview? Perhaps, something about his equipment? Or maybe the work he did at The Cannes Film Festival? Or perhaps instead, like us, you’d ask him what he thinks about before he presses the shutter button (and read quite possibly the most eloquent answer to that question we’ve heard in a long time…).

We chat about his muse Chloe-Jasmine Wichello, shooting in London the day after The British Music Awards and how he thinks photography holds up against the heavyweights of digital media. Ladies and gentlemen, Dave Piper

Q: How long have you been a photographer?
All my life I have had a love for art and story. I have spent my last four years shooting weddings, bands, portraits and fashion editorials. My time is balanced out with many other things. Most photographers have a number of incomes and I am no different. Much of my time is spent split between my re-touching service and bespoke one-to one workshops.

Q: Are you a pro or amateur? What was your breakthrough, either when you knew you were in love with photography or when you became pro?
Well, I have had a romantic link with photography in all its shapes and forms for as long as I can remember. People like Tim Burton have had an untold influence on the way I see the world, it’s all about the artistic vision for me. How could someone not love the world of photography, it shapes and drives everything around us?

I remember during a photo shoot at Cannes Film Festival this year, pausing and thinking, am I really here?… This year alone I have been to more places than I ever thought possible, all of it due to photography. One of my first breakthrough shoots was…. … a shoot with celebrity Aussie designer, Joe Challita. We took three beautiful models in these amazing dresses and did a shoot in the middle of London the day after the British Music Awards.

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Teaching with Bryon Pa ul McCartney on his Tuscan based workshops was a good step forward. Bryon was the first person to show big trust and faith in my work, both shooting and teaching. Another big turning point was meeting my partner and muse, Chloe-Jasmine Whichello. 90% of my best work is with Chloe and a constant source of inspiration.

In 2009, I was walking around the Focus on Photography (Birmingham, UK) event thinking how amazing it would be to have a portfolio made by Epoca. Last year I got a phone call. It was from a lady called Terri Romolo; she works for Album Epoca. Terri had called me to ask if they could use some of my photography for the books on display at the exact show I was at the year previous. Terri and Epoca have been amazing to me since and continue to produce the most stunning wedding and portfolio books. My Epoca portfolio goes everywhere with me.

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Photo © Dave Kai-Piper. Model: Chloe-Jasmine Whichello

Q: Tell us a bit about the setup for your photo shoot(s) – lighting, equipment, post processing?
“Content is King”, Sir Cecil Beaton showed us this. Simplicity is the key for me and I shoot with Nikon cameras and fast prime lenses. Very simple kit and lets me be super mobile. A lot of the time I shoot with reflector or the orbis® ring flash on a tripod.
There is a clear difference between digitally editing photos and digitally developing them. I work to an Adobe workflow system. Bridge > Lightroom > Photoshop. Over the last year or so, I have started to implement a system using a Duotone and Tritone colour palette and have found some inte resting colour effects. There are many great plug-in’s perfect for weddings and such; I’m using the Nik Software plug-ins. Although a lot of people might think so, I don’t actually use a Mac set up. I use Dell workstations, Wacom Tablets and Dual Dell screens. Lighting wise, I love to try and be as natural as I can, but when shooting in a studio or working with flash, I currently use the new Trinity Lights from Elemental, very nice lights indeed.

Q: How did your orbis® help?
I do love the orbis®, I might use it in a strange way though. My orbis® pretty much lives mounted via my frio™ (on Eddie, the 3 Legged Thing tripod). I use it to provide back lighting and extra light to shape and illuminate people. I find the orbis® is great at creating mixed lighting (natural & flash). With a quick flick of a button you can have an instant soft box. Stand behind it and shoot through it, you have a ring flash, stand someone in front of it, you have a backlight. Kids love it too as it doesn’t get hot. I’m about to start taking two orbis® flash units with me to instantly create fast simple lighting solutions. It’s comforting to know that the orbis® will bail you out of tricky low light problems. The orbis® is perfect for those close up macro photography shots too.

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Behind the scenes with Chloe-Jasmine (Make up Artist) & Oliva Ward (model)    Gingersnap Models

Q: The orbis® is designed to give photographers an edge. It’s very challenging to make a living as a professional photographer, what are your tips for staying competitive in the industry?
Produce things that people need and want. Be in the right place at the right time. I guess it’s just that simple. Which is why it’s so challenging at the same time. It’s about getting the job done. Get the job done in the most stylish way possible.

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Q: Your photos have a particular quality to them, how would you describe your personal style?
My work has started to develop a style that is both colourful and playful while keeping a high impact and vintage ethic. I like to give an element of story and drama. As a designer, this concept of story and narrative is always close by. I want to be entertained. Many of my artistic influences are film makers and musicians.

My Dave Piper photography website has the tag line :

“detail and clarity, fused with narrative form and function”.

Q: Are you a self-taught photographer, did you go to college or university, or did you have a mentor?
Fully self taught, sitting down and learning things does not come naturally to me. I learn best by observation. I cut my teeth with a wedding company called Prestige Photography. One day I walked in and asked for a job. A year later I was asked to assist on a wedding with them. Darren Rudge was the man that took that gamble. He looked after me for a while until I turned to the fashion world. Most of my awareness has come from the pages of Vogue, 125 Magazine, Love Magazine, Hollywood and MTV.

Creative minds like Tim Walker, Robert Voltaire, Sylvie Blum, David LaChapelle, Sally Mann, Jerry Uelsmann, Sir Cecil Beaton, Rankin and Woland continue to teach me.

I have never had a mentor as such, but lots of people have looked out for me. Bryon Paul McCartney would be one person who went out of his way to give me a break, I owe a lot to him.

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Photo © Dave Kai-Piper. Model: Chloe-Jasmine Whichello

Q: Is there something you always ask yourself/think just before you press the shutter button?
It’s usually “Is this photo going to sit on my hard drive forever, untouched and just wasting space?”. With the Digital Age, its very easy to shoot 1000`s of frames. This is a pet hate of mine. If I shoot 50 frames, it would be nice to have 30 usable photos and 10 great frames. 80% of photography is done before you press the shutter. The thing I tend to think about before pressing the shutter is “Am I ready to press the shutter?”.

Q: What is one last impression you want to leave in your photos?
That’s an interesting question. Many people these days just see photography as something that is used to paparazzi celebrities. I want to leave the idea that, with all the many forms of digital media today, the still photograph is still king.

Q: Do you have any tips for those looking for advice from recognised photographers?
Have a vision, have an idea and have respect for the people around you.

Follow photographers’ blogs, send them questions, and ask to help, ask to assist. I love to get questions via e-mail and my blog. Many photographers will take the time to get back to you, as long as you ask sensible questions. Ask the normal, what brand camera do you use, and don’t sit about waiting for a reply. Be open and interesting, ask those questions that get people engaged. Above all, be confident in yourself.

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Photo © Dave Kai-Piper. Model: Chloe-Jasmine Whichello

Q: Where can we hear more from you or see more of your work?
Check out my blog and website, or come say hi on Facebook. My website also has a contact page for more info.

Email |dave@davepiper.org.uk?         500px | http://500px.com/DaveKaiPiper

Dave Piper is but one of the many amazing photographers that we’ll bring to the forefront through a series of orbis® blog interviews. We’re stoked to have a diverse range of photographers equipped with the orbis® and even more so that we can share their tips and insights, because sharing is caring!

For stunning results like Dave, get your own orbis® in the enlight photo pro store and check in next month to see who’s getting amongst it with the orbis®!

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It’s all about being inspired !!

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It’s all about being inspired !! This blog is really inspired by the vastly talented Camilla Akrans.  Camila is the photographer that can lay claim to the photography used by Rhianna for the LOUD album. I love the tones Camilla has used, the bright red hair reminded me of another great album cover. I was inspired to do a Dave Kai Piper inspired mix of the two great shots.

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Having the right look or image of paramount importance for the modern artist in the super fast turbulent music world. Just being noticed is hard enough, you have to look good too. Just look at the pop stars of today, the presentation and image can be more important than music created.  Lady GaGA is an artist who has clearly fully understood this. Big money is spent on crafting personal images that can be sold and marketed worldwide. As a photographers we are a crucial and powerful cog in the media machine that enables this to happen. Its a tricky thing to get right. How does one begin to shoot a cover photo for someone like pop singer Rhianna. Camilla Akrans is the photographer responsible for Rhianna’s LOUD album. She did, what I think, is utterly fantastic job on the album. Its a great sexy and fashion look, something Camilla does seem to pull of again and again with sumptuous effect. It is clear that hours of careful planning and test shoots would of taken place to create such a project.

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I have used Camilla’s wonderful work to inspire a shoot of my own. But, as always wanted my own spin on the idea. I wanted to show you my take on the purple duotone / cross processed look that Camilla has used to perfection on her cover shoot. Marilyn Manson had a very popular album called Mechanical Animals, it has this wonderful androgynous look, together with the red hair. These were my visual ques. The very beautiful Victoria Coutts from Gingersnap Models stepped in for me. The wonderful Chloe-Jasmine Whichello added the perfect make up.

We had our model, our inspiration, we just needed the photo!


CLICK HERE FOR A FULL PDF GUIDE on how the photo was shot and edited.
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ViewFinder Center for Photography

Photography Courses in Zurich, in English!

At ViewFinder, you can improve your camera skills, learn how to create more beautiful photos, and make new friends who share your passion for photography!

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Location: Zürich, Switzerland

In February 2010, we opened the doors to our new studio, conveniently located in Zürich Kreis 4, just a short walk from Albisriederplatz, Letzigrund Stadium and Hardbrücke/Escher-Wyss Platz. Our new location presents  great opportunities for classes and workshops both in the studio and out and about in central Zürich.

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ViewFinder Photography Courses
and Workshops

At the ViewFinder Center for Photography, you’ll discover photography courses and workshops designed to meet your interests and needs. Our friendly, informal atmosphere will put you at ease so you can focus on improving your photography. All our courses are taught in English by an experienced instructor who is a working professional photographer. If you need help finding a photography course just right for your level of skill and interest, please send us an email.

August-December 2011 Course Schedule now online

We are dedicated to providing creative and innovative learning experiences that encourage people to develop their individual passion for photography, take better pictures and simply have more fun with photos.

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2011 Course schedule for August – December

One-day courses in Zurich - Saturdays or Sundays, 10:30 – 17:30, or as noted.
For course details and further dates, click on the course name below. To register for any of these courses, please use our online registration system. If you have questions or need more information, click here to send us an email.

Evening classes in Zurich – Selected weeknights, 19:00 – 21:30
Evening courses are scheduled based on interest. Use our online registration system to let us know which course you would like to attend and we will send details.

Summer Photo Workshops in Tuscany Workshops (2012 dates will be announced soon)

 

If you’d like to be notified by email as we schedule evening courses and workshops, please send us an email at info@viewfindercenter.com.

Unless otherwise noted, courses are held at our studio center in Zürich:
Badenerstrasse 370, Halle 3
CH-8004 Zurich

Courses are geared for beginner to intermediate experience. Some courses require a DSLR camera (a camera with changeable lenses). If you don’t yet have a DSLR, you can rent our studio camera for the day and “try before you buy” (CHF 30/day).

Still have questions? Call us at (+41) 052 203 3044 or send us an email.

> Click here to register for a course

%Dave Kai Piper % PhotographyEvening courses at ViewFinder Center
Join us to explore special photography topics in just one evening.

Selected weeknights, from 19:00 – 21:30. Click on course name for info.

 

Macro Photography Lab
Low-Light and Night shooting

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Canon Lens Fun Lab

Editing, Organizing and Using your Digital Photos

Evening courses are scheduled based on interest. Please use our
online registration system to let us know which course you would like to attend and we will send details.

Amore Toscana
Spring and Summer Photography Workshops
with Bryon Paul McCartney

2012 DATES WILL BE ANNOUNCED SOON!

A photo workshop is a great way to learn new photography techniques and immerse yourself in the craft of photography. Our workshops are open to photographers of all levels. Whether you are just beginning or a seasoned pro, our photography workshops help you develop your creative talent and improve your technical skills in the midst of scenic and inspiring southern Tuscany, Italy. In 2011, we offer four six-day workshops, based in beautiful San Quirico d’Orcia.

 

 

Content reposted from – http://www.viewfindercenter.com/

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We are dedicated to providing creative and innovative learning experiences that encourage people to develop their individual passion for photography, take better pictures and simply have more fun with photos.

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Clowning Around – Fashion Beauty

After a wedding shoot the other day, Chloe and I were staying with the amazing Leah Mabe. Model, Photographer and Make Up Artist, we had to do a shoot !!

 

Working with good make up artists is so important when trying to push your photography. We spend money all areas of Photography, cameras, lens, flash kits and all sorts.  I wanted to do a super low budget shoot but just showing how important good a good model and good make up artist can be. All of the photos taken here are with a set up that costs less than £1000.

The wonderfull Chloe-Jasmine Whichello was our model with the very amazing Leah Mabe as our talented Make Up artist.

Model: Chloe-Jasmine | gingersnap.co.uk
Make Up Artist: Leah Mabe | leahmabe.com

Post Production was very light and simple using a Duotone layer method, UnSharpen mask and some pressing of the stamp and clone tool along with the Heal Brush.

I used a Nikon D90 with a 50mm ( the f.1.4 lens), a SB900 and the magic Orbis® Flash. I have used the Orbis® super close to the models face, but, I have used a defuser between the model and the light source.  Keeping at iso 200 and about f4 to f5, I found a light that worked really well and kept some super sharpness.

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Infrared Photography

I am by no means an IR professional photographer (Infrared photography), I am just someone who is lucky enough to be able to shoot with converted camera.

 

Check out my Flickr account for more of the IR set that I have been shooting over the last few months.

IR Flickr stream

All these photos have been taken at 50mm with a Converted 5D.   I am happy to take questions about the camera or any other details.

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The Westminster Shoot | Fashion Shoot

 

These were taken way back in Jan for Rag Mag out in Beirut.

Photographer : Dave Kai Piper
Make Up & Hair: Leah Mabe
Model: Racheal Howard / Chloe-Jasmine Whichello & Ruby Slate Balthazar
Dress: Joe Challita
Jewellery: Peter Lang A/W 11

A very special thank you to Lucinda Ellery and Chloe-Jasmine for the location and all your help on the day.

Westminster | London
Shot for Rag Mag | Beirut

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An Update !! Summer Cover Shoot

Just a little update.

 

We have a confirmed cover model and just awaiting news of the other girls. We will be shooting on the 18th and the 25th of April !!

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Miss Chloe-Jasmine Whichello

 

 

 

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