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Tag Archives: fashion shoot
JOE CHALLITA – RAGMAG Interview
ROYAL INCLINATION
JOE CHALLITA’S HAUTE COUTURE
All Words by FIDA CHAABAN
RagMag Original Article Published March 2011 Issue 10
- http://www.ragmag.co/cat/fashion/royal-inclination
JOE CHALLITA, 31 year old Australian-Lebanese designer, adores women. RAGMAG knows this because only a self professed “dreamer and a helpless romantic” could create gowns that virtually sing. We decided on JOE for our ROYAL ISSUE because the man brings out our love affair with fashion on a grand scale. Graduating with a double degree in Arts and Law and becoming a qualified solicitor, he then transitioned into fashion. We spoke to JOE about celebrity, geographical influences of the Commonwealth and Lebanon, Khalil Gibran, and WHAT MAKES HIM FIT TO DRESS THE QUEEN.
Do you feel that couture is as highly valued in North America as it is in Europe and the Middle East?
Haute couture has always been valued in all three, but in different ways. Europe is the birth-place of haute couture and the godmother of haute couturiers. It is the place where its appeal stems from, and it is the place most sought after by designers wanting to take part in the most prestigious fashion shows, like Paris Fashion Week. Whilst North America gives the opportunity for these creations to take life and shine in the spotlight on the red carpet, like the Oscars, the Emmy Awards etc.. Most importantly through Hollywood and art we are able to see fashion and couture take life and form. It becomes the platform of inspiration and aspiration. The Middle East is giving birth to new big names in the Haute Couture world who are making a statement in Europe with their distinctive style and feminine appeal. Hence, they are most sought after on the red carpet. According to recent reports the Middle East is saving the dying couture in Europe, as the Middle-Eastern taste and quest for luxury is sustaining haute couture, through Arab royals, princesses and wealthy women.
Who would you like to dress from the new glitterati in Lebanon, North America and Europe?
Yasmine Hamdan – she is avant-garde, alternative, modern and edgy. A new fresh face in the Lebanese scene. In North America Natalie Portman for her classic beauty and Dita Von Teese in Europe. She oozes femininity, I love her style and her vintage beauty.
Designer that you feel most influences your style?
Christian Dior, we share the same sentiment. Making women be in touch with their femininity through design principles. I appreciate Galliano’s modern interpretation of the Dior label.
One collection of yours was opera inspired. Name a few operas and arias that really embody your work?
“Wishing You Were Somehow Here Again” and “Think of Me” from the Phantom of the Opera. Maria Callas was also an inspiration.
As for classical masters in music, please name a few composers and pieces that SOUND like a gown of yours?
The Concierto de Aranjuez is a composition of classical guitar and orchestra by the Spanish composer Joaquín Rodrigo. He described the concerto itself as capturing “the fragrance of magnolias, the singing of birds, and the gushing of fountains” in the gardens of Aranjuez, and that description gave me a vision of a butterfly hovering over Rodrigo’s magnolias and gushing fountains; hence my pink butterfly dress in my Opera collection is a dedication to that, and the delicate, ephemeral white wedding dress of the Opera collection a dedication to his magnolias.
How do you feel about being from the Commonwealth?
My inspiration is deep-rooted in Australia’s English heritage beginnings. I am inspired by the Victorian heritage of Australia…the romance of Victorian costumes, appreciation of natural fibres – old English looms and laces and usage of organic cottons in couture. I have been an avid collector of Victorian remnants, clothing and accessories since I was 18 years old. The availability of these in Australia have inspired me deeply in appreciating old fashioned handiwork and couture sensibilities, and kept me in touch with English heritage. When I make wedding gowns I think of them as heirlooms to be passed on from one generation to another, and this approach is a Victorian-English sensibility. Often a client would use part of a wedding gown in the making of a Christening gown of a future baby, so I take this into account, and it adds romanticism to the making of the wedding gown.
Do you think today’s monarchy brings the same élan to couture? Which royal would you like to dress?
Today’s monarchy is definitely not the same as the past unfortunately. Today monarchs are more physically active, and in turn they need to be more practical. Princess Mary of Denmark and Queen Rania of Jordan are worth noting for their style. Queen Rania is the most beautiful royal alive on our planet. She oozes style, grace, chic and at the same time she is real with a modern approach. She is the best example of a modern royal.
What should a couture gown say about the woman wearing it?
A gown should be an extension of a woman… the gown must be able to highlight a woman’s persona and style and not overkill her.
Do you feel that the Middle East has given rise to real fashion talent? What did you learn during your training under Elie Saab?
Yes, most definitely. We have a fresh young generation that is far more diverse, experienced and cultured, and are making a statement globally. The most valued lessons [I learned from Elie] were more on a personal level. Determination and a humble approach are two key elements he instilled in me. His support and encouragement has helped me fulfill my dream.
Talk about the values and traditions of couture and how your line follows that mantra. What sensibilities do you incorporate? Discuss some of your methods.
Exclusivity and making only oneoff garments. A couture garment is a piece of art, hand-made and one of a kind with many, many hours spent on making the garment by hand. The point of difference offered to clients through couture is uniqueness. Moulding and draping fabrics on the actual body of the client. Hand embroidery, crochet and beading are all done in-house.
Can you compare yourself to a man in history?
Gibran Khalil Gibran, the Lebanese poet and mystic. He wrote his feelings in poems, I transcend my feelings through fabric. I feel as though we are kindred spirits.
Do you feel that women today are less invested in their appearance?
On the contrary, there is a return or a revival to elegance and style and appreciation of couture. The point of couture is to be unique, and that uniqueness and exclusivity is most sought after. Couture is not about trends.
Where in the world is for you an ideal place to draw inspiration from?
Beirut has always been the source of my inspiration, it is the only place where I feel most alive and inspired. Maybe because it is where my roots lie, especially coming from a culturally rich background, it has so much to offer from history and art to music and geographic location. Contrary to my Australian inspiration, Beirut gives me excess, glamour, and drama. I am fortunate to have deep awareness of both cultures as my work embodies the melange of the two.
Do you believe that some of history’s most notorious couturiers were also some of the biggest fashion icons of the day?
Most definitely like Chanel in the 30’s and Dior in the 50’s. Chanel freed women from the restrictions of previous fashions, and Dior created the luxurious New Look after the restrictions of the war-stricken 40’s.
What was your opinion of Sophia Coppola’s interpretation of Marie Antoinette and more importantly, what did you think of the fashion involved in the movie? There was such a heavy wardrobe and wig and shoe focus.
The movie was a gorgeous looking soufflé with pastel-coloured hues. It is a visual feast of extravagant costumes, opulent surroundings and fluffy cakes and macaroons! The movie lacked political subtext, but it is most definitely more of a celebration of feelings and visual voyeurism into Marie Antoinette’s private life.
Do you see your designs evolving? What are some transition points in your life that have been reflected in your gowns?
Yes, I am ever evolving- it is a natural course of personal growth, however my signature style and touch will always remain. My upcoming collection is ethereal and light. What I do is a passion to bring back the appreciation of couture and the beauty that lies within it. In a world of commercialism and lack of authenticity, I feel compelled to share my art that is made with love.
Photography by Dave Kai Piper
BY FIDA CHAABAN
Tagged 50mm @ F1.4, A pretty model, Adobe Lightroom, Australian-Lebanese designer, Christian Dior, couture gown, dave kai piper, Dave Piper - Latest Work, Edits, Fashion, fashion shoot, FIDA CHAABAN, Galliano, HAUTE COUTURE, Joe Challita, JOE CHALLITA’S HAUTE COUTURE, Khalil Gibran, Nikon D90, Photographers, Photoshop, RAGMAG, RagMag magazine, ROYAL INCLINATION, Yasmine Hamdan
When in Munich . . .
Just trying to keep up to date with this blog is tough work ! Anyway.. so while in Germany Coaching and shooting away, Chloe-Jasmine and I had the wonderful pleasure of working with Munich based make up artist, Diana Zwarthoed.
As I was flying to Munich, I had to pack very light, these photos have been shot in the most simple way with a Single speed light using the Orbis Ringflash adapter. I used a single SB900 flash powered by the Godox Propac Battery. Everything was mounted onto my trusty Eddie Tripod (3 Legged thing). Shooting tethered into Lightroom helped check the focus was bang on for each frame.
85mm F2.2 @200 iso with a D700 – Thank you to Ian for the use of the camera & Lens, and Herb for the use of his Kitchen wall.
The photos have had a Duotone effect to process them, the BW conversions are also using a Duotone process.
Photographer: Dave Kai-Piper
Hair & Beauty: Diana Zwarthoed
Model: Chloe-Jasmine Whichello
Putzbrunn : Munich
Tagged 3 Legged thing., 50mm @ F1.4, bespoke coaching, Chloe-Jasmine, Chloe-Jasmine Whichello, coaching, d700, dave kai piper, Dave Piper - Latest Work, Diana Zwarthoed, Edits, Fashion, fashion shoot, Godox Propac Battery, Music Photography, Nikon D90, orbis ringflash, photo editing, Photography, Photoshop, Photoshop tutorial, SB900, Single speed light, teaching, tutor, weddings
Orbis Interview
A while ago…
I met a man called James, he showed me a flash adapter called the orbis® ring flash, I got my grubby hands on one and its been love ever since. I was asked to do an interview for the website and blog, This is shown below. If you know me or have seen me shooting, you will kn0w how much love and use my Orbis. I am not just trying to sell the thingy or be a promo spokes person. It’s something I actually enjoy using and suits my style very well. It also just happens that the Orbis people are uber cool people too.
All the photos on this blog are shot with a Nikon camera (D90 and D700) a fast prime lens, an SB900 with an orbis® ring flash mounted via my frio™ (on Eddie, the 3 Legged Thing tripod.)
“Do you want the truth or something beautiful?”
When you get a man like Dave Piper to sit down and answer questions for you, what do you ask him for an exclusive orbis® ring flash interview? Perhaps, something about his equipment? Or maybe the work he did at The Cannes Film Festival? Or perhaps instead, like us, you’d ask him what he thinks about before he presses the shutter button (and read quite possibly the most eloquent answer to that question we’ve heard in a long time…).
We chat about his muse Chloe-Jasmine Wichello, shooting in London the day after The British Music Awards and how he thinks photography holds up against the heavyweights of digital media. Ladies and gentlemen, Dave Piper…
Q: How long have you been a photographer?
All my life I have had a love for art and story. I have spent my last four years shooting weddings, bands, portraits and fashion editorials. My time is balanced out with many other things. Most photographers have a number of incomes and I am no different. Much of my time is spent split between my re-touching service and bespoke one-to one workshops.
Q: Are you a pro or amateur? What was your breakthrough, either when you knew you were in love with photography or when you became pro?
Well, I have had a romantic link with photography in all its shapes and forms for as long as I can remember. People like Tim Burton have had an untold influence on the way I see the world, it’s all about the artistic vision for me. How could someone not love the world of photography, it shapes and drives everything around us?
I remember during a photo shoot at Cannes Film Festival this year, pausing and thinking, am I really here?… This year alone I have been to more places than I ever thought possible, all of it due to photography. One of my first breakthrough shoots was…. … a shoot with celebrity Aussie designer, Joe Challita. We took three beautiful models in these amazing dresses and did a shoot in the middle of London the day after the British Music Awards.
Teaching with Bryon Pa ul McCartney on his Tuscan based workshops was a good step forward. Bryon was the first person to show big trust and faith in my work, both shooting and teaching. Another big turning point was meeting my partner and muse, Chloe-Jasmine Whichello. 90% of my best work is with Chloe and a constant source of inspiration.
In 2009, I was walking around the Focus on Photography (Birmingham, UK) event thinking how amazing it would be to have a portfolio made by Epoca. Last year I got a phone call. It was from a lady called Terri Romolo; she works for Album Epoca. Terri had called me to ask if they could use some of my photography for the books on display at the exact show I was at the year previous. Terri and Epoca have been amazing to me since and continue to produce the most stunning wedding and portfolio books. My Epoca portfolio goes everywhere with me.
Photo © Dave Kai-Piper. Model: Chloe-Jasmine Whichello
Q: Tell us a bit about the setup for your photo shoot(s) – lighting, equipment, post processing?
“Content is King”, Sir Cecil Beaton showed us this. Simplicity is the key for me and I shoot with Nikon cameras and fast prime lenses. Very simple kit and lets me be super mobile. A lot of the time I shoot with reflector or the orbis® ring flash on a tripod.
There is a clear difference between digitally editing photos and digitally developing them. I work to an Adobe workflow system. Bridge > Lightroom > Photoshop. Over the last year or so, I have started to implement a system using a Duotone and Tritone colour palette and have found some inte resting colour effects. There are many great plug-in’s perfect for weddings and such; I’m using the Nik Software plug-ins. Although a lot of people might think so, I don’t actually use a Mac set up. I use Dell workstations, Wacom Tablets and Dual Dell screens. Lighting wise, I love to try and be as natural as I can, but when shooting in a studio or working with flash, I currently use the new Trinity Lights from Elemental, very nice lights indeed.
Q: How did your orbis® help?
I do love the orbis®, I might use it in a strange way though. My orbis® pretty much lives mounted via my frio™ (on Eddie, the 3 Legged Thing tripod). I use it to provide back lighting and extra light to shape and illuminate people. I find the orbis® is great at creating mixed lighting (natural & flash). With a quick flick of a button you can have an instant soft box. Stand behind it and shoot through it, you have a ring flash, stand someone in front of it, you have a backlight. Kids love it too as it doesn’t get hot. I’m about to start taking two orbis® flash units with me to instantly create fast simple lighting solutions. It’s comforting to know that the orbis® will bail you out of tricky low light problems. The orbis® is perfect for those close up macro photography shots too.
Behind the scenes with Chloe-Jasmine (Make up Artist) & Oliva Ward (model) Gingersnap Models
Q: The orbis® is designed to give photographers an edge. It’s very challenging to make a living as a professional photographer, what are your tips for staying competitive in the industry?
Produce things that people need and want. Be in the right place at the right time. I guess it’s just that simple. Which is why it’s so challenging at the same time. It’s about getting the job done. Get the job done in the most stylish way possible.
Q: Your photos have a particular quality to them, how would you describe your personal style?
My work has started to develop a style that is both colourful and playful while keeping a high impact and vintage ethic. I like to give an element of story and drama. As a designer, this concept of story and narrative is always close by. I want to be entertained. Many of my artistic influences are film makers and musicians.
My Dave Piper photography website has the tag line :
“detail and clarity, fused with narrative form and function”.
Q: Are you a self-taught photographer, did you go to college or university, or did you have a mentor?
Fully self taught, sitting down and learning things does not come naturally to me. I learn best by observation. I cut my teeth with a wedding company called Prestige Photography. One day I walked in and asked for a job. A year later I was asked to assist on a wedding with them. Darren Rudge was the man that took that gamble. He looked after me for a while until I turned to the fashion world. Most of my awareness has come from the pages of Vogue, 125 Magazine, Love Magazine, Hollywood and MTV.
Creative minds like Tim Walker, Robert Voltaire, Sylvie Blum, David LaChapelle, Sally Mann, Jerry Uelsmann, Sir Cecil Beaton, Rankin and Woland continue to teach me.
I have never had a mentor as such, but lots of people have looked out for me. Bryon Paul McCartney would be one person who went out of his way to give me a break, I owe a lot to him.
Photo © Dave Kai-Piper. Model: Chloe-Jasmine Whichello
Q: Is there something you always ask yourself/think just before you press the shutter button?
It’s usually “Is this photo going to sit on my hard drive forever, untouched and just wasting space?”. With the Digital Age, its very easy to shoot 1000`s of frames. This is a pet hate of mine. If I shoot 50 frames, it would be nice to have 30 usable photos and 10 great frames. 80% of photography is done before you press the shutter. The thing I tend to think about before pressing the shutter is “Am I ready to press the shutter?”.
Q: What is one last impression you want to leave in your photos?
That’s an interesting question. Many people these days just see photography as something that is used to paparazzi celebrities. I want to leave the idea that, with all the many forms of digital media today, the still photograph is still king.
Q: Do you have any tips for those looking for advice from recognised photographers?
Have a vision, have an idea and have respect for the people around you.
Follow photographers’ blogs, send them questions, and ask to help, ask to assist. I love to get questions via e-mail and my blog. Many photographers will take the time to get back to you, as long as you ask sensible questions. Ask the normal, what brand camera do you use, and don’t sit about waiting for a reply. Be open and interesting, ask those questions that get people engaged. Above all, be confident in yourself.
Photo © Dave Kai-Piper. Model: Chloe-Jasmine Whichello
Q: Where can we hear more from you or see more of your work?
Check out my blog and website, or come say hi on Facebook. My website also has a contact page for more info.
Email |dave@davepiper.org.uk? 500px | http://500px.com/DaveKaiPiper
Dave Piper is but one of the many amazing photographers that we’ll bring to the forefront through a series of orbis® blog interviews. We’re stoked to have a diverse range of photographers equipped with the orbis® and even more so that we can share their tips and insights, because sharing is caring!
For stunning results like Dave, get your own orbis® in the enlight photo pro store and check in next month to see who’s getting amongst it with the orbis®!
Tagged 3 Legged thing., 50mm @ F1.4, adobe photoshop, birmingham, birmingham acadmey, Bryon Paul McCartney, Chloe-Jasmine Whichello, dave kai piper, Dave Piper - Latest Work, Edits, Fashion, fashion shoot, flash, Joe Challita, Nikon D90, orbis® ring flash, photo editing, Photographers, Photography, photoshop info, Photoshop tutorial, portrait, Punk Rock, ringflash, speedligh, strobist, wedding photography
It’s all about being inspired !!
It’s all about being inspired !! This blog is really inspired by the vastly talented Camilla Akrans. Camila is the photographer that can lay claim to the photography used by Rhianna for the LOUD album. I love the tones Camilla has used, the bright red hair reminded me of another great album cover. I was inspired to do a Dave Kai Piper inspired mix of the two great shots.
Having the right look or image of paramount importance for the modern artist in the super fast turbulent music world. Just being noticed is hard enough, you have to look good too. Just look at the pop stars of today, the presentation and image can be more important than music created. Lady GaGA is an artist who has clearly fully understood this. Big money is spent on crafting personal images that can be sold and marketed worldwide. As a photographers we are a crucial and powerful cog in the media machine that enables this to happen. Its a tricky thing to get right. How does one begin to shoot a cover photo for someone like pop singer Rhianna. Camilla Akrans is the photographer responsible for Rhianna’s LOUD album. She did, what I think, is utterly fantastic job on the album. Its a great sexy and fashion look, something Camilla does seem to pull of again and again with sumptuous effect. It is clear that hours of careful planning and test shoots would of taken place to create such a project.
I have used Camilla’s wonderful work to inspire a shoot of my own. But, as always wanted my own spin on the idea. I wanted to show you my take on the purple duotone / cross processed look that Camilla has used to perfection on her cover shoot. Marilyn Manson had a very popular album called Mechanical Animals, it has this wonderful androgynous look, together with the red hair. These were my visual ques. The very beautiful Victoria Coutts from Gingersnap Models stepped in for me. The wonderful Chloe-Jasmine Whichello added the perfect make up.
We had our model, our inspiration, we just needed the photo!
CLICK HERE FOR A FULL PDF GUIDE on how the photo was shot and edited.
Tagged 3 Legged thing., 50mm @ F1.4, A pretty model, Adobe Lightroom, adobe photoshop, album art work, album music cover, androgynous, blue eyeshadow, blue lips, Camilla Akrans, Chloe-Jasmine Whichello, cross processed, dave kai piper, Dave Piper - Latest Work, eddie, eddit, edit, Edits, Fashion, fashion look, fashion shoot, Frio, Gingersnap Models, how to guid, loud, marylin manson, Mechanical Animals, Music Photography, Nikon D90, Orbis Flash, personal images, Photographers, Photography, photoshoot, Photoshop, photoshop info, Photoshop tutorial, photoshot, purple duotone, red hair, Rhianna, sexy and fashion look, Tutorial, Victoria Coutts, wedding photographer birmingham
ViewFinder Center for Photography
Photography Courses in Zurich, in English!
At ViewFinder, you can improve your camera skills, learn how to create more beautiful photos, and make new friends who share your passion for photography!
Location: Zürich, Switzerland
In February 2010, we opened the doors to our new studio, conveniently located in Zürich Kreis 4, just a short walk from Albisriederplatz, Letzigrund Stadium and Hardbrücke/Escher-Wyss Platz. Our new location presents great opportunities for classes and workshops both in the studio and out and about in central Zürich.
ViewFinder Photography Courses
and Workshops
At the ViewFinder Center for Photography, you’ll discover photography courses and workshops designed to meet your interests and needs. Our friendly, informal atmosphere will put you at ease so you can focus on improving your photography. All our courses are taught in English by an experienced instructor who is a working professional photographer. If you need help finding a photography course just right for your level of skill and interest, please send us an email.
August-December 2011 Course Schedule now online
We are dedicated to providing creative and innovative learning experiences that encourage people to develop their individual passion for photography, take better pictures and simply have more fun with photos.
2011 Course schedule for August – December
One-day courses in Zurich - Saturdays or Sundays, 10:30 – 17:30, or as noted.
For course details and further dates, click on the course name below. To register for any of these courses, please use our online registration system. If you have questions or need more information, click here to send us an email.
- dSLR 1-2-3 Photography for Beginners (Click course link for November/December dates)
Three-part series:
DSLR 1 – Saturday, 20 August
DSLR 2 – Saturday, 27 August
DSLR 3 - Saturday, 17 September - People & Portraits: Capturing Personality Sunday, 28 August
- Creative Composition 1: Fundamentals of making better photos :Saturday, 3 September Creative
Composition 2: Exploring your creative vision Saturday, 1 October - Exposure & Available Lighting Techniques Sunday, 2 October
- Intro to Studio Flash Lighting
- Studio Lighting Workshop with model Sunday, 6 November
- Better Travel Photography Saturday, 10 December
Evening classes in Zurich – Selected weeknights, 19:00 – 21:30
Evening courses are scheduled based on interest. Use our online registration system to let us know which course you would like to attend and we will send details.
Evening courses are scheduled based on interest. Use our online registration system to let us know which course you would like to attend and we will send details.
- Macro Photography Lab
- Low-Light and Night shooting
- DIY Portrait Lighting
- Canon Lens Fun Lab
- Editing, Organizing and Using your Digital Photos
- Editing & Organizing with iPhoto - Mac users
Summer Photo Workshops in Tuscany Workshops (2012 dates will be announced soon)
- Intimidation-Free Fine Art Nude Photography
- Workshop I. Light, Form & Expression
- Workshop II: Personal Vision & Portfolio
- Learn more about our Summer Tuscany Workshops here
If you’d like to be notified by email as we schedule evening courses and workshops, please send us an email at info@viewfindercenter.com.
Unless otherwise noted, courses are held at our studio center in Zürich:
Badenerstrasse 370, Halle 3
CH-8004 Zurich
CH-8004 Zurich
Courses are geared for beginner to intermediate experience. Some courses require a DSLR camera (a camera with changeable lenses). If you don’t yet have a DSLR, you can rent our studio camera for the day and “try before you buy” (CHF 30/day).
Still have questions? Call us at (+41) 052 203 3044 or send us an email.
> Click here to register for a course
Join us to explore special photography topics in just one evening.
Selected weeknights, from 19:00 – 21:30. Click on course name for info.
Macro Photography Lab
Low-Light and Night shooting
Editing, Organizing and Using your Digital Photos
Evening courses are scheduled based on interest. Please use our
online registration system to let us know which course you would like to attend and we will send details.
online registration system to let us know which course you would like to attend and we will send details.
Amore Toscana
Spring and Summer Photography Workshops
with Bryon Paul McCartney
2012 DATES WILL BE ANNOUNCED SOON!
A photo workshop is a great way to learn new photography techniques and immerse yourself in the craft of photography. Our workshops are open to photographers of all levels. Whether you are just beginning or a seasoned pro, our photography workshops help you develop your creative talent and improve your technical skills in the midst of scenic and inspiring southern Tuscany, Italy. In 2011, we offer four six-day workshops, based in beautiful San Quirico d’Orcia.
Quick Links to 2011 Classes
Find a class to explore your passion for photography! Follow the links below for details:
DSLR 1-2-3 Photography for Beginners
Creative Composition 1 & 2
Exposure & Available Light
People & Portraits: Capturing Personality
Better Travel Photography
Studio Lighting Workshop with model
Macro Photography Lab
Low Light & Night Shooting
DIY Portrait Lighting
Content reposted from – http://www.viewfindercenter.com/
We are dedicated to providing creative and innovative learning experiences that encourage people to develop their individual passion for photography, take better pictures and simply have more fun with photos.
Tagged Better Travel Photography, Bryon Paul McCartney, Canon Workshop II: Personal Vision & PortfolioLens Fun Lab, Course schedule, Creative Composition 1 & 2, Dave Piper - Latest Work, DIY Portrait Lighting, DSLR 1-2-3 Photography for Beginners, Exposure & Available Light, Fashion, fashion shoot, in English!, Low Light & Night Shooting, Macro Photography Lab, models, Music Photography, NIK Software., One-day courses in Zurich, People & Portraits: Capturing Personality, photo editing, photographer, Photographers, Photography, Photography Courses, Photography Courses in Zurich, Photoshop, photoshop info, Photoshop tutorial, Studio Lighting Workshop with model, Summer Photo Workshops in Tuscany Workshops, Switzerland, teaching Zurich, viewfinder centre, ViewFinder Photography Courses and Workshops, wedding photography, Zurich
Chloe & her glasses | Portrait Shoot
The other day, I just happened to have the wonderful Chloe-Jasmine in my living room, we shot a few photos using the orbis® flash.
These are all shot with the orbis® mounted on a 3 legged thing tripod, with the Frio Coldshoe. Nikon D90 & 50mm lens
More photos from this blog , Just click on the photos !!
Enjoy 
Tagged Bryon Paul McCartney, Chloe-Jasmine Whichello, dave kai piper, Dave Piper - Latest Work, Edits, fashion shoot, Music Photography, NIK Software., Nikon D90, photographer, Photographers, photoshop info, Photoshop tutorial, rock music, wedding photographer birmingham, wedding photography, weddings
The orbis® Flash
My little review of the orbis® flash adaptor
I was first introduced to the orbis® Flash at Focus On Imaging in Birmingham earlier this year. For those of you who have not heard of this gadget, “the orbis® easily turns your harsh SLR flash into beautiful, shadowless light - the ring flash effect, with equipment you already own” is the promise from inventor James Madelin.
The pictures below are all shot using the orbis® attached to a SB900. Shot with a D90 @ 50mm. Eddie and a Frio were used to mount everything together.
Model & Make-up: Chloe-Jasmine Whichello
In a nutshell the Orbis® Flash is an adapter that shapes the light coming out of your speedlight / flash into a much nicer shape while adding a certain about of defusing at the same time. It has been called a budget Ringflash. Its important to not compare the orbis® to a 800watt mains powered Bowns or Profoto Ringflash, in my eyes they have been designed to meet different needs. They both have good points and bad points. If you are in a studio environment and have the time to set up a proper ring flash, then the orbis® is never going to be able to stand up to the raw power. This is due to the fact that the orbis® powered by a speedlight pushed into the bottom, its only reflecting the light into a better shape. It’s only going to ever be as strong as what ever speedlight you are using. I am lucky enough to have the SB900 Nikon flash which does kick out a strong light. This has led to overheating problem when attached the orbis® though. The studio is clearly not where the orbis® has been designed for.
A ringflash is a flash that is designed to wrap around the end of the lens leaving a space for the lens to come though the middle, the idea is that, this should leave very little shadow , creating even and soft light on the subject, I think, it was a dentist that first came up with the idea. Its the sort of lighting that forensic photographers use. Its used a lot by beauty and fashion photographers as it can be used to show great detail. Ringflash lighting is clean and simple to use. Most people use a ringflash close up for head shots. Usually a ringlash is part of a lighting set up in a studio with a hair light or back light too, nothing stops you from using it on its own though.
For me, the orbis® really comes into its own when you step outside or need a very lightweight portable lighting solution. With the rise of the popular Strobist / off-camera flash look it was only a matter of time before the big company started to make lighting modifiers for speedlights. Nothing really has come though as good as the orbis® though, It shapes the light so nicely. As a photographer, this is the single most important factor. For the last couple of months the orbis® has lived in my camera bag, at first, I never really used it that much. I do love natural light. At times I never even carry my flash, this would mean carrying an orbis® would be even more silly. I had the idea that the orbis® would only give me the Strobist look, something that I didn’t want. It was after a couple of weeks I started to really start shooting with the Orbis to see how versatile it is. Most of the time that I used the Orbis, it is mounted on Eddie ( 3 legged thing) and used as back light , side light or to create funky catch lights. Most of the shots taken don’t even look like they have had any flash at all. You can get some super soft lighting, and quickly do the super lightweight set up of the kit.
I have used the orbis® with the Frio, with a SB900 All mount on super lightweight Carbon Fibre Tripod from 3 Legged thing. Shooting Nikon is great as there is no need to buy any remote triggers, you can just set the Speedlight and Camera to fire remotely. You can do all adjustments in the camera menus. You can also pick up the orbis® camera mountings which nicely mount the flash,orbis® and camera all together. Great for shooting though the center of the orbis® in a ringflash style.
So its light, cheap and greats great light. But, it can be bulky as a portable bit of lighting kit at times, it does overheat the flash if used “pap style”, when mounted on the camera, it does create a bit of a funny weight problem. There is also a small problem of being able to fully use the lenses to zoom or focus as the orbis® sits over this part of the lense (when shooting though it) I get round this by mounting the orbis® on the Tripod and just shooting though the middle. Pretty much all lenses do fit, of course a 200mm f2.0 wont fit, but why would you need it to !!
To sum up, for the small downsides the orbis® has, it’s quickly turning into a vital part of my camera kit. While out on a shoot, just having it close by is a comfort, knowing how much of a creative tool it can be. I am very sure Nikon, Cannon, Metz and the other lighting companies starting kicking them self when they saw the orbis®. I would never dream of using my Speedlight without the orbis® attached now. I would love to see some colour gels for the orbis®, and I wonder if orbis® will ever make their own flash to fit the adapter in an even more snug way, I don’t know, I hope so as most of the downfalls are not the orbis®s fault but in fact limits of the flash units.
The photos of Chloe-Jasmine on this blog are all shot using the orbis®, the very top photo is using the orbis® as a ringflash, the next two underneath are using the orbis® as an off-camera flash, balancing with the window lights. These photos were taken on my living room floor and wall. Mains powered ring flashes tend to be very powerful and hard to mix with natural light. Another point for the orbis®.
In a couple of days, I am flying off to teach on Bryon Paul McCartney’s art Nude workshops. I have given a great deal of thought to which kit get the nod and gets to come with me. Space is very tight when packing to travel and fly. The pros and cons of the orbis® are very clear. The shape and light that it gives, the creative ways that it can be used are enough to justify the size and bulk. Are are also taking an Elinchrom quadra if things need that bit extra. In Tuscany, there is always great light, we tend to use alot of reflectors to balance out shadows, but this year, I feel the orbis® will be taking care of the fill lights and helping to creative effect. I am hoping that cooling the flash head in the Tuscan sun will not be to much of a problem, we shall see !
Overall, does the orbis® work. Yes. Should you have one, very much so. If you are an events photographer, Sports, Wedding, Portrait or art photographer, there are very few reasons why you should not have an orbis®
Do also check out the Frio and 3 legged thing Tripods. The Frio is very clever little clip that enables you to mount the flash to a tripod, it has a very simple and safe locking system. I was and do use the fabulous tripods from 3 legged thing
Be sure to check out the orbis® Flickr group ( link )
I always have a flash gun with me. An orbis® would be ideal for shooting in low light environments without wanting to overpower the ambient. My ring flash on its lowest setting is still really powerful – Christian Scott
Tagged 3 Legged thing., 50mm @ F1.4, A pretty model, Adobe Lightroom, adobe photoshop, birmingham, birmingham acadmey, Bryon Paul McCartney, Carbon Fibre Tripod, Chloe-Jasmine, Chloe-Jasmine Whichello, Dave Piper - Latest Work, Edits, fashion shoot, flash, Frio, James Madelin, models, Music Photography, NIK Software., Nikon, Nikon D90, off camera flash, Orbis, Orbisringflash, orbis®, photo editing, photographer, Photographers, Photography, photoshop info, ringflash, wedding photography
Dave Kai Piper Interview | Lady Sybilia
Photographer Dave Kai Piper interview-
“Do you want the truth or something beautiful?”
An interview with Lady Sybilia for http://sybilia.wordpress.com/
“Perhaps the pursuit of perfection, is the pursuit of sweetness and light.
~Matthew Arnold~
Coming across Dave Kai Piper’s work was an interesting moment for me as i’ve been always evaluating personal style,aesthetic choices that reveal a direction towards soothing the eye with pure photographic artistry rather than initially impressing with uber fabulous choices of subjects,lighting,editing, as i reckon is the current trend. Ok i like several styles. Yet, the above plus the personality of the photographer itself played a significant role in me requesting him to answer,in his very own style naturally,the basic ‘Lady Sybilia’s’ questions…He kindly accepted, showcasing the context behind the concept..and other interesting details..
Your work showcases a strong interest in certain vintage aesthetics with a modern view. Is that the case?
Its a complex subject, however you’re not far wrong. I love the romance and elegance from what we could call Vintage. I would not for one moment say that I set out to shoot anything Vintage for artistic merit, its more to evoke a feeling of time and place. The concept of Vintage is tricky for me. For me, Vintage is more a concept and context in which to tell your story.
If you were ehm.. ‘forced’ to choose a certain era/photographer for image inspiration, which would that be and why?
I guess this answer is an extension of the last. Most of my biggest artistic influences have not been photographers or artists in the context of still frame. I am sure the close links between my family and the church have had an impact. The Catholic use of the Baroque after the Council of Trent, I guess, would be an era that was a catalyst for me and my work. Normal is never quite enough. I love the way the Baroque comes after you. It makes you form opinion, it makes you form your views. I like to think my work can do the same. Pretty photos are not enough, they need to engage the audience on another level. Inspiration is a strange thing. Being lucky enough to live in the UK we have some of the most amazing photographers and artists on our doorsteps, so there are many people I could name. When it all comes down to it. I like a good story. I want to be entertained. Many of my artistic influences are film makers and musicians. Marilyn Manson being the biggest along with Tolkien. Over the years there have been many amazing people who have shaped my world view, and there for my artistic views too. Its a very hard question to answer. But, If forced to, I would say, Cecil Beaton. This would for the sheer honest elegance and ability to create a story from a still photograph. Beaton shows us that photography is about content in context.
-Could you describe your overall vision/idea behind your work?
Sounds awfully Cliché, but I am quite aware that my work will live longer than I. I want to make a body of work that is going to live beyond me. To give something back to the world that has given so much to me. I guess my artistic views are formed on the sense that, what ever I do has to be created to stand for many years to come. To answer the first question. Yes. Its my version of what the Baroque is.
-Was fashion photography/photography your main idea or a career or emerged through life experiences?
I would still not say I really do shoot fashion. I would say that my style is to shoot fashion based portraits. The main focus is emotive content, then subtext is fashion in most cases. -Could you define some major influences that have shaped your view on things, perhaps photographers, designers, artists? There are many people who have shaped my views. There are few people who have actively came to me and helped me though. These people have defined me as a person and played major roles in my life. It’s unfair to name people, but they do know who they are. Most of them have not been photographers or artists, but people. Most of these people have put their time and energy into me a person, I owe a debt to these people, that, one day I hope I can repay.
-Are there some moments you’d define as crucial to your career, certain collaborations ,work features etc, that come to mind as milestones to you as a photographer?
Meeting Bryon Paul McCartney ? Meeting Chloe-Jasmine Whichello ? Meeting George Eko ? Meeting Steve Lewis ? Meeting Joe Challita ? Meeting Karl Baxter ? Meeting Krishan Parmar ? . . . It’s such a long question to give an honest reply to, the list above could go on for a many a thousand names. But of course there are some people who have had a more direct impact. Some people have been in my life for an hour, some people for many years. Some people I might never see again, others I am yet to meet. I don’t think I have reached any major cross roads yet, but, when I do, I am sure I will have the right people around me to help me see my path. Sometimes life is about choosing the people you stand next to.
The Westminster Shoot | Fashion Shoot
These were taken way back in Jan for Rag Mag out in Beirut.
Photographer : Dave Kai Piper
Make Up & Hair: Leah Mabe
Model: Racheal Howard / Chloe-Jasmine Whichello & Ruby Slate Balthazar
Dress: Joe Challita
Jewellery: Peter Lang A/W 11
A very special thank you to Lucinda Ellery and Chloe-Jasmine for the location and all your help on the day.
Westminster | London
Shot for Rag Mag | Beirut
Tagged Bands, Beirut, birmingham acadmey, Clhoe-Jasmine Whichello, dave kai piper, Dave Piper - Latest Work, Edits, Fashion, Fashion Birmingham, fashion shoot, Joe Challita, Leah Mabe, models, Music Photography, Peter Lang A/W 11, photo editing, Photographers, Photography, Photoshop, photoshop info, Photoshop tutorial, portrait, Racheal Howard, Rag Mag, Ruby Slate Balthazar, wedding photographer birmingham, wedding photography, wedding photos
Eddie The Tripod | Tripod Review
So, I was at Focus in Birmingham, chatting to some people when along comes Daniel (according to his business card, he is the supreme ruler of the Universe, but I suspect he is the owner of the new company and designer of the new tripods…) He had with him something a) new, b) had shiny bits and c) was made out of carbon fibre.. I was pretty much sold at that. Daniel introduced me to Eddie.
Eddie is part of the new range of tripods from the 3 Legged Thing Company. Launched on 1st January 2011 from a converted chicken factory in some little place called Stagsden, Eddie is the middle of 3 new tripods, all carbon fibre and all very pretty. Eddie weighs in at 1935g with its bigger brother , Jimmy at 2248g. The smallest of the family is Brian at 1575g. These weights are with the suitability beautifully made ball heads.
I have to really admit something here… I have not used a tripod in a long long time… Shooting the things that I do, I really hated having my Manfrotto tripod to lug about for hours just in case I needed it. These pods are a little different, They are quick and simple to use, super light too. Eddie can be converted into a Monopod quickly, hold a full frame dSLR with a 200mm lens very steady, while still packing away in to my camera kit bag (Eddie is 440mm long when packed down). Why would I not take it with me ? For me the massive advantage of having a super portable tripod like Eddie is that he can be set up to hold my SB-900 for some remote flash action. I did not even think about this when packing my camera bag for the shoot. When I got to the location, It just clicked.. Eddie can hold it !! Since then he has also been a reflector holder and a Laptop holder.
Soon I intended to have an army of Eddies to do my bidding while shooting. Just goes to show, an Eddie is not just a one trick pony/horse/thing….
The 3 Legged Thing company have really gone back to basics here, They have noticed that the number one thing when making new gear, is to make something that people will actually want to use, then making it do its job well at the same time. Having Eddie in the house has actually made me find things to shoot with it, its really fun, simple and light weight to use. For the first time ever, a tripod has a permanent feature in my camera bag.
Eddie, the pod in the photos , can hold up to 12kg, and packs down to 440mm and most importantly can come in many colours. On These tripods, nothing thing quick release or button release. Instead the tripods all have twist screw actions to hold things into place. Everything is smooth and well made, everything comes apart for cleaning and converting into a monopod. The Ball Head is super slick to use, very precise and very strong when locking into place, very simple to do with a light finger and thumb action on the round dials. There is a very cleaver design to let you shoot the camera portrait off the camera too. Very handy indeed.
“To be a global leader in tripods within 5 years, and to continually provide a 5 star service to our consumers, dealers and distributors across the globe by returning a personal element to all of our dealings. To listen to your feedback objectively and implement the best ideas of our customers, whether trade or consumer, and to continue to develop the innovation of tripods so that future generations of photographers can grow as we do” – 3 legged thing.
That means big things, to have a statement like that, to take on the tripod monsters like Manfrotto and Gitzo, the 3 Legged Thing Company have to have a plan and something to set them apart.
These tripods are quite unique, they are fun to use and get the job done. They are study and strong, quick to use and did I mention they look very cool. The company seem to have a good idea of how a modern photographer wants a tripod to perform. If your a little more interested in facts and numbers about the pods, head over to the website and check then out.
They also have a cool range of non-carbon ones for those times when you can not bare putting a your Eddie into salty/oily water or some more worrying situation. While your there have a look at the stunning Gimble heads
3 legged thing say:
A lightweight, yet incredibly strong Multipod with a built in detachable monopod, reversible and removable central column. Eddie is ideal, a fantastic all round tripod, combining a small folded size with tough 28mm Carbon Fiber tubing that will hold up to 12KG. The 3LT X2 Eddie is a class above the rest. Tested in conditions up to -60 degrees Celsius, 3LT X2 Eddie is rugged, strong and versatile.
3LT X2 Eddie was recently awarded the Editors Choice Award by ePHOTOzine.com and a maximum 5 Stars by Digital Photography School and is our most successful tripod. With a beautifully engineered ball head to match, available in 5 stylish but functional colours, the X2 is ultimate choice for professionals and amateurs alike.?
For more information on 3 Legged Thing visit www.3leggedthing.com
Hi Res Imagery is available to download from http://www.3leggedthing.com/Worldwide-Press-Enquiries
For further information and to keep up with the latest on 3 Legged Thing visit www.3leggedthing.com or call 0844 272 7777. You can even join our facebook group www.facebook.com/my3leggedthing or follow us on Twitter at www.twitter.com/3leggedthing. Check out the selection of video’s on You Tube www.youtube.com/user/3leggedthing
Tagged 3 Legged thing., 3LT X2 Eddie, camera equipemtn, Camera Monopods, Camera reviews, camera tripods, carbon fibre, Carbon Fibre Eddie, carbon fibre tripods, Carbon monopods, Dave Piper - Latest Work, Eddie the tripod, Edits, Fashion, fashion shoot, it came from Stagsden, Legged Thing Company., monopods, Music Photography, photo editing, Photographers, Photoshop, photoshop info, Stagsden, Tripod reviews, wedding photographer birmingham, weddings, www.3leggedthing.com
