Tag Archives: Photographers

Dave Kai Piper Interview | Lady Sybilia

Photographer Dave Kai Piper interview-

“Do you want the truth or something beautiful?”

An interview with Lady Sybilia for http://sybilia.wordpress.com/

 

“Perhaps the pursuit of perfection, is the pursuit of sweetness and light.

~Matthew Arnold~

Coming across Dave Kai Piper’s work was an interesting moment for me as i’ve been always evaluating personal style,aesthetic choices that reveal a direction towards soothing the eye with pure photographic artistry rather than initially impressing  with uber fabulous choices of subjects,lighting,editing, as i reckon is the current trend. Ok i like several styles. Yet, the above plus the personality of the photographer itself played a significant role in me requesting him to answer,in his very own style naturally,the basic ‘Lady Sybilia’s’ questions…He kindly accepted, showcasing the context behind the concept..and other interesting details..

Your work showcases a strong interest in certain vintage aesthetics with a modern view. Is that the case?

Its a complex subject, however you’re not far wrong. I love the romance and elegance from what we could call Vintage. I would not for one moment say that I set out to shoot anything Vintage for artistic merit, its more to evoke a feeling of time and place. The concept of Vintage is tricky for me. For me, Vintage is more a concept and context in which to tell your story.

If you were ehm.. ‘forced’ to choose a certain era/photographer for image inspiration, which would that be and why?

I guess this answer is an extension of the last. Most of my biggest artistic influences have not been photographers or artists in the context of still frame. I am sure the close links between my family and the church have had an impact. The Catholic use of the Baroque after the Council of Trent, I guess, would be an era that was a catalyst for me and my work. Normal is never quite enough. I love the way the Baroque comes after you. It makes you form opinion, it makes you form your views. I like to think my work can do the same. Pretty photos are not enough, they need to engage the audience on another level. Inspiration is a strange thing. Being lucky enough to live in the UK we have some of the most amazing photographers and artists on our doorsteps, so there are many people I could name. When it all comes down to it. I like a good story. I want to be entertained. Many of my artistic influences are film makers and musicians. Marilyn Manson being the biggest along with Tolkien. Over the years there have been many amazing people who have shaped my world view, and there for my artistic views too. Its a very hard question to answer. But, If forced to, I would say, Cecil Beaton. This would for the sheer honest elegance and ability to create a story from a still photograph. Beaton shows us that photography is about content in context.

-Could you describe your overall vision/idea behind your work?

Sounds awfully Cliché, but I am quite aware that my work will live longer than I. I want to make a body of work that is going to live beyond me. To give something back to the world that has given so much to me. I guess my artistic views are formed on the sense that, what ever I do has to be created to stand for many years to come. To answer the first question. Yes. Its my version of what the Baroque is.

-Was fashion photography/photography your main idea or a career or emerged through life experiences?

I would still not say I really do shoot fashion. I would say that my style is to shoot fashion based portraits. The main focus is emotive content, then subtext is fashion in most cases. -Could you define some major influences that have shaped your view on things, perhaps photographers, designers, artists? There are many people who have shaped my views. There are few people who have actively came to me and helped me though. These people have defined me as a person and played major roles in my life. It’s unfair to name people, but they do know who they are. Most of them have not been photographers or artists, but people. Most of these people have put their time and energy into me a person, I owe a debt to these people, that, one day I hope I can repay.

-Are there some moments you’d define as crucial to your career, certain collaborations ,work features etc, that come to mind as milestones to you as a photographer?

Meeting Bryon Paul McCartney ? Meeting Chloe-Jasmine Whichello ? Meeting George Eko ? Meeting Steve Lewis ? Meeting Joe Challita ? Meeting Karl Baxter ? Meeting Krishan Parmar ? . . . It’s such a long question to give an honest reply to, the list above could go on for a many a thousand names. But of course there are some people who have had a more direct impact. Some people have been in my life for an hour, some people for many years. Some people I might never see again, others I am yet to meet. I don’t think I have reached any major cross roads yet, but, when I do, I am sure I will have the right people around me to help me see my path. Sometimes life is about choosing the people you stand next to.

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The Westminster Shoot | Fashion Shoot

 

These were taken way back in Jan for Rag Mag out in Beirut.

Photographer : Dave Kai Piper
Make Up & Hair: Leah Mabe
Model: Racheal Howard / Chloe-Jasmine Whichello & Ruby Slate Balthazar
Dress: Joe Challita
Jewellery: Peter Lang A/W 11

A very special thank you to Lucinda Ellery and Chloe-Jasmine for the location and all your help on the day.

Westminster | London
Shot for Rag Mag | Beirut

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Chloe-Jasmine | in the park

 

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Just wanted to share these with you.

Myself and Chloe-Jasmine were headed to a shoot in Birmingham the other weekend. After a Cancelled train and a broken down car, we just headed home, I grabbed my camera and we went for a walk in my local park. Enjoy !!

These were edited using Nik Software and Photoshop. Shot using the Orbis & SB900, Nikon D90, 50mm @ F1.4

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Tilda Swinton (Ice Queen) Cover Shoot

I have been meaning to write this blog for a long time, it’s a bit over due, but never the less, it’s here. It’s about the digital side of how the Winter 2010 Cover Shot was edited up. I really don’t want to get into detail about how, in a detailed technical way anything was really done here. It would take a long time if I were to do so. If you do want a closer break down, mail me !!

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I have to be honest, the cover did end up a little different to how I wanted it. I really wanted to not have to use a digital composite photo for the cover, the original plan was to shot the cover super low @ f1.2 and to use a digital projected background that I had pre-made in Photoshop. In the version of the photo that was used, F8 was used , shot on a white background and the background is fully digital. This was because the f1.2 version gave a much darker feeling, although, I prefer the photo ( which can be seen here ), it was not suitable for the cover of a make up magazine. So another photo was selected. During the shoot a few “safety” shots were taken at the higher F-stop as I knew the F1.2 shots were going to be a risky move.

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Photoshop was the starting point, I made up an image to be used as my projected background. On the cover photo, this was just added in as a background layer and composited in.  I guess this was step one, joining my background and model.

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As with all my editing work, I like to keep to a similar flow, starting with the Skin, Sharpen, Colour, Stamp Clone and repeat. Using about a million layers in the process. By the end of this photo, there are actually two PSD files, each with about 30/35 layers each. I could have used a PSB file which would have be better I think, but, next time maybe. A PSB file is the same as a PSD file, but designed to look after much bigger files.  So the photo. had a good going over with the Stamp and clone tool, but, due to the amazing make up, the skin was pretty much flawless to start with. To begin with I was very worried about how the background would interact with my model, so some colour blending layers are added to even out any tonal problems with the layers. I needed them to match perfectly. Levels and photo filters are used controlled by layer masks.

To begin with, all my focus is on the background, then I turn my attention to the darker tones , bringing them into the tones and colour I want to use. more adjustment layers are used for this. My main focus was to get a nice punchy blue and contrast. Once I have them where I want for now, I pull the middle tones in then followed by the higher tones. Using a combination of Saturation and Hue changes with the paint brush tool, the make was lifted and enhanced. I am not a big fan of the dodge or burn tools, instead i prefer to use levels and control them using layer masks. Colour work has begun on the eyes

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At this point I have my full colour adjusted photo pretty much where I want it, with the background nicely placed and  good place to start really finishing off this photo. If you look close, you should notice bits of the dress have been repaired, bits of hair placed to improve the balance, lips and jaw line lifted. The main change in this layer is the grey overtone that has been applied. This was done using a Duotone Layer made up from shades of Gray.

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Skin Colour work has really begun to take form. Using layer masks, lighter colours are painted over the skin in Screen mode to help build the matt shine. Work on the finger nails and hands has begun. The whole frame is being duplicated and re-layered over the existing photo , then blended back down to start to give the soft transparent shine. A few more areas are targeted for the unsharp mask tool. A few of the gems are lifted off the skin to create more balance. The stones that are left are sharpened one by one and have the glue behind them removed. Shape of the eye is enhanced.

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The whole photo is level corrected (duplicated, placed on top then merged down using layer blending modes, controlled with layer masks) , converted into CYMK, cropped into the cover ratio, logos added and printed. Simple !!  ish !!

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Face On Winter cover

Photographer | Dave Kai Piper

Model & Make Up | Liv Free

Styling | Krishan Parmar

Dress | Joe Challita

Rings | Fei Lui

 

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Should I work for free (TF) ?

 

TF ??  Its working for free right ?

TF, TFP, Testing, Tear Sheets, getting paid or just helping someone out. Everyone has there reasons for being part of a shoot, be it models or photographers. There seems to be a growing trend of people not being happy with the arrangements they make with other people. Until the last few months I have been pretty lucky in working with people who have been professional and understanding of the complex pit falls that TF shoots can throw up. So I have decided to write this blog.

TF, a term used to describe a shoot in which all parties of some of the parties in a shoot work for free, The TF stands for Time For… anything but money in 99% of cases. This explains TFP too, Time for Prints or Photos, or in these modern times,  digital versions of the photos.  Higher up the food chain, when professional photographers are working with professional models, shooting for tears is more a common place.  Or you can just get paid, or pay for the service your using. I guess there is also the ” Muse” thing too, where photographer and model just really go town and creatively work looking at common areas of interest, I would not say this is TFP, this is more common interest shooting. When expecting digital versions of photos, I am going to skip the , what is high res thing.. and leave that for another day. Just make sure you understand what you are getting and what you are asking for.

Lets break this down a little.

Why Shoot for free, as in, why do TFP?  Well, as most people who read this post will have their own insight to this, I shall just say, that I would never have been able to create my portfolio with out the trust of some amazing people working TF or testing , with me.  Testing is all about trying things, shooting new things to create and reshape your portfolio to ensure your right at the cutting edge of what you’re trying to do. It’s there to ensure good ideas get shot and creative ideas form and blossom. I think all of my best work has come from tests.
Get a good group of like-minded people, a model, a make-up artist and stylist then go play. TF shoots are great training grounds for learning the skills needed in real world shoots. Finding those models you trust and understand, finding the make-up artist you can trust to work quickly and not chat for hours and hours. Stylists that don’t kill your shoot by trying to make everything look like what Gok Wan did on the TV last night.
Testing is a great way to network, get noticed and create your dream portfolio without spending mega money.
When first starting out, yes,  its  hard to find good people to test with. You have to prove that you’re not going to waste peoples time, energies and ideas. Its hard when you first start out, I know !! After a couple of shootings with your friends, approach people on sites like Purestorm and Model Mayhem, remember to ensure you do your homework on people. Check out their work, get active on the sites, find out who is worth working with and who to stay very clear from.  Be understanding of your own level and where your own work , and who you’re talking to. Expect bad and good things to be said. Not everyone is going to play nice and come running to work with you for free,  get some amazing shoots under your belt first. Give people a reason to want to shoot with you. If you not offering money, what are you offering them that they can not get else where ?  How much work are you putting in to the shoot. Show people you are willing and serious in shooting. Find great locations, show them great ideas, show them that they are not going to be wasting their time.  Start slow and build up to the bigger models or photographers.  Be willing to listen, talk and be part of a team for tests or TF shoots, remember both people are giving up their time. If you don’t like this.. pay them. Talking of money, When you ask people to come on a TF or a Test, if your asking them, do offer to pay their travel or something to sweeten the deal.

[note: don't just look after the models, all people involed should be looked after, if you ring them, you should look after them.]

Models, Photographers and every0ne in the creative sector tests, if they say they don’t, what they really mean is.. they wont test with you. Its nothing personal, so don’t let it be.

Don’t let ego get in the way

So what is this “shooting for tear sheets”, in fact, what is a tear sheet ?
Well, after you have your great portfolio,  you may be wanting to shoot a front cover for Vogue. Easy !!  Just shoot the best models in the world with the best creative team for year after year. After your portfolio is brimming with tear sheets from Prada, Gucci, Elle, Cosmo, Rolling Stone and Time. Vogue might let you e-mail them.  Easy – right ?  Nooope.

Tear Sheets , I guess, are the pro-level “TF” way method of working for free.  Shooting amazing things and submitting them to magazines and getting published works for free. Think of this as a TF shoot with the magazines and creative teams. You give them content, they give you PR.  This is the standard way that magazines get there content. Very very few photographers get paid for editorial magazine spreads.  In many cases, Photographer/ model/ MUA/ designer/ stylist work on amazing shoots,  no one getting paid, then the work being submitted to a magazine. The compensation in this manor comes, if and when, the magazine use them. There are two types. Online and Print. Online tear sheets are a little easier to come by than  printed tear sheets. Tear sheets are called so, because, you can tear the page out the magazine and add this to your portfolio.  If you really want a powerfull portfolio, it should be full of impressive tear sheets, not just pretty photos from test shoots. Think of it as a points system. The better the magazine, the more points, the bigger the spread, the more points, and covers are worth their weight in gold when you get the right magazine.  I would very often turn down money for a good tear sheet. If you want to get ahead in the photography world, even more relevant in the Fashion world, tear sheets are a magic key to open some doors. But.. its high risk, and a long hard road to get those inch’s of printed glory. I guess tear sheets so that you really know your stuff and know your industry. It can be used as a way that the industry can use to judge a creative person. A GWC ( guy with camera) would not be looking for tear sheets.

There are many downsides with these routes of getting people to work for free, in many cases it can feel like signing a deal with the devil. Unhappy models, photographers getting stressed about use of photos, miss-understanding of copyright, photos taking years to be released back to models and MUA’s. It’s all about trust and communication. There is one thing that never changes though. The photographer owns the photos, model release or not. Unless he has signed a deal to hand over copyright (I have never seen this) Even, when someone pays him for his time, He still owns the copyright unless this is signed to say not. This is the main place where frictions starts.

If after a shoot, the photographer decides to never release the photos, that’s up to him or her. Unless there is a contract in place (I have never seen this in a TF shoot) there is nothing the other parties that took part in the shoot can do. (I should point out, this is why I say, do your home work on who you’re working with) If I did a test shoot and the model had an off day, or the make up was rubbish or I messed up, those photos would never see the light of day. I would just say they are not coming out, this is why its called testing. It’s why testing is so important.

For me, I like to keep a very control of who has my work on show. I know that people judge me on who I work with just as much on as how good my work is, this can also have an impact on when and why photos are realised into the world. It’s why I kept a tight control of when I shoot and who I shoot with.  This is one negative aspect about working in the creative sector.

The system works for people who want it to work, it fails and breaks down when a lack of trust is created after the shoots, or when people start thinking they have ownership of the photos that they don’t have. If you didn’t take it, it’s not yours, it’s really simple. There can be very long times from the date of shoot to when or if a photo might get published, so sometimes extra care is needed to ensure photos and used and shown in their best light. Some magazines wont take photos or stories if they are on display in places ?  The photos being on display on a photographers portfolio is one thing, the photos being plastered thought Flickr, Facebook, Model Mayhem and Purestorm is another thing completely. This can cause more problems when Models are waiting for work to use in their portfolios. Problems like these are very easy to solve. Just be clear upfront about why you are shooting and understand who you are shooting with. When I shoot  with a model, I like to try to get published works from the shoots, so my teams can expect long waits before photos are released, however, if a model came to me wanting to shoot some new photos to update her look, she would get these back very quickly, because that was the purpose of the shoot.  I guess the message here is, be clear and ask if you’re not sure.

Anyway..  testing is the best way to network, create amazing works of art and practice your choose skill. It’s a great way to get creative. If your going to give your time up for free, make sure you know who you are giving your time to and how much they expect back.

Be nice to people, play the game and don’t piss people off.  Now go forth and create !!

Make sure you check out these other articles

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[edit:  Via a facebook link to the blog this was posted, funny and usefull. -       http://shouldiworkforfree.com/ - Jessica Hische 2011 ]

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Eddie The Tripod | Tripod Review

 

So, I was at Focus in Birmingham, chatting to some people when along comes Daniel (according to his business card, he is the supreme ruler of the Universe, but I suspect he is the owner of  the  new company and designer of the new tripods…)   He had with him something a) new, b) had shiny bits and c) was made out of carbon fibre.. I was pretty much sold at that.  Daniel  introduced me to Eddie.
Eddie is part of the new range of tripods from the 3 Legged Thing Company.  Launched on 1st January 2011 from a converted chicken factory in some little place called Stagsden, Eddie is the middle of 3 new tripods, all carbon fibre and all very pretty. Eddie weighs in at 1935g with its bigger brother , Jimmy at 2248g. The smallest of the family is Brian at 1575g. These weights are with the suitability beautifully made ball heads.

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I have to really admit something here… I have not used a tripod in a long long time…  Shooting the things that I do, I really hated having my Manfrotto tripod to lug about for hours  just in case I needed it.  These pods are a little different, They are quick and simple to use,  super light too. Eddie can be converted into a Monopod quickly, hold a full frame dSLR with a 200mm lens very steady, while still packing away in to my camera kit bag (Eddie is 440mm long when packed down).  Why would I not take it with me ?  For me the massive advantage of having a super portable tripod like Eddie is that he can be set up to hold my SB-900 for some remote flash action. I did not even think about this when packing my camera bag for the shoot. When I got to the location, It just clicked.. Eddie can hold it !! Since then he has also been a reflector holder and a Laptop holder.

Soon I intended to have an army of Eddies to do my bidding while shooting. Just goes to show, an Eddie is not just a one trick pony/horse/thing….

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The 3 Legged Thing company have really gone back to basics here, They have noticed that the number one thing when making new gear, is to make something that people will actually want to use, then making it do its job well at the same time. Having Eddie in the house has actually made me find things to shoot with it, its really fun, simple and light weight to use.  For the first time ever, a tripod has a permanent feature in my camera bag.

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Eddie, the pod in the photos , can hold up to 12kg, and packs down to 440mm and most importantly can come in many colours.  On These tripods, nothing thing quick release or button release. Instead the tripods all have twist screw actions to hold things into place. Everything is smooth and well made, everything comes apart for cleaning and converting into a monopod. The Ball Head is super slick to use, very precise and very strong when locking into place, very simple to do with a light finger and thumb action on the round dials. There is a very cleaver design to let you shoot the camera portrait off the camera too. Very handy indeed.

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“To be a global leader in tripods within 5 years, and to continually provide a 5 star service to our consumers, dealers and distributors across the globe by returning a personal element to all of our dealings. To listen to your feedback objectively and implement the best ideas of our customers, whether trade or consumer, and to continue to develop the innovation of tripods so that future generations of photographers can grow as we do”  – 3 legged thing.

That means big things, to have a statement like that, to take on the tripod monsters like Manfrotto and Gitzo, the 3 Legged Thing Company have to have a plan and something to set them apart.
These tripods are quite unique, they are fun to use and get the job done. They are study and strong, quick to use and did I mention they look very cool.  The company seem to have a good idea of how a modern photographer wants a tripod to perform.  If your a little more interested in facts and numbers about the pods, head over to the website and check then out.

They also have a cool range of non-carbon ones for those times when you can not bare putting a your Eddie into salty/oily water or some more worrying situation. While your there have a look at the stunning Gimble heads

 

3 legged thing say:

A lightweight, yet incredibly strong Multipod with a built in detachable monopod, reversible and removable central column. Eddie is ideal, a fantastic all round tripod, combining a small folded size with tough 28mm Carbon Fiber tubing that will hold up to 12KG. The 3LT X2 Eddie is a class above the rest. Tested in conditions up to -60 degrees Celsius, 3LT X2 Eddie is rugged, strong and versatile.

3LT X2 Eddie was recently awarded the Editors Choice Award by ePHOTOzine.com and a maximum 5 Stars by Digital Photography School and is our most successful tripod. With a beautifully engineered ball head to match, available in 5 stylish but functional colours, the X2 is ultimate choice for professionals and amateurs alike.?

 

For more information on 3 Legged Thing visit www.3leggedthing.com

Hi Res Imagery is available to download from http://www.3leggedthing.com/Worldwide-Press-Enquiries

For further information and to keep up with the latest on 3 Legged Thing visit www.3leggedthing.com or call 0844 272 7777. You can even join our facebook group www.facebook.com/my3leggedthing or follow us on Twitter at www.twitter.com/3leggedthing. Check out the selection of video’s on You Tube www.youtube.com/user/3leggedthing

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FACE ON SUMMER COVER | Cover Shoot

So late one night my phone rang,

So late one night my phone rang, not an abnormal thing to happen I know, but this is a strange way to start a photography post for a blog. It was Richard Sumner, Editor of Face On Magazine.  What was unexpected was that Rich had mainly called to ask if I wanted to shoot the next cover of Face On, this would be my second cover this year for them. Quite exciting to say the least.  I jumped off the phone and set to work. Due to a heavy work load in Zurich,  my main man, Bryon Paul McCartney wont be able to make it for this shoot. So I am going it alone. Any offers to come shoot this with me ?

So, I have another cover to shoot, with an editorial to match with it. I needed ideas, and I needed inspiration. I set about building my mood boards and sketching out some plans.  It came clear quickly that I wanted to shoot this in two parts, nailing the cover in the studio then getting the rest of the shoot done on location. I now had two shoots to plan.  My next call was the multi-talanted Chloe-Jasmine Whichello. Ideas were fused and formed, warped and wrestled into shape with the aid of coffee, sleep and lots of flicking over photo galleries. I had my PDF plan.  Lovingly created in Indesign I must add.  Chloe-Jasmine hooked me up with Ginger Snap Models for the work to begin on the casting side.

So, I need one cover model ( hopefully Abbie, ) and three other models. They have to fit in the concept of the shoot.

1910′s / 1920′s
1940′s / 1950′s
1970′s / 1980′s
2000′s/ 2011

Each model has to fit into an era and have matching styling, dress and shoes. While still in a bridal theme.  So that’s the plan, that’s the idea. If plans do go well, we may look at adding a 5th girl to help cover the missing dates.  I need a stylist, and I need a good one. If you think its you… get in touch.

I have contacted a very special guest photographer to also come on board to really light the fire under this shoot. More details coming very soon. As will more information is created, it will be added for your reading pleasure.

For a cover shoot.

I need a model, sorry, not a model, but THE model. On the original brief from the Editor, there was a model pre-set in mind, but after a quick few e-mails, things soon looked like i shall be looking for a new girl. A few agency’s have been contacted and girls have been scouted, but awaiting the news !!  I really hope Abbie from Ginger Snap Models in Bristol is free and up for the shoot !

My last cover for Face On was for the 2010 Winter edition, We shot a Tilda Swinton themed Ice Queen.  The Summer cover is going to full of colour and full of fun. The polar opposite which is quite fitting for me to shoot.

Below is Abbie, but who knows… the slot is still very much open, nothing is confirmed as of yet.

 

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Abbie Barton from Ginger Snap Models

 

The plan is to shoot the Cover and the spread as two separate shoots. The cover shall be a stand alone shot using flowers and very powerful colours to welcome the summer on to our shores. The style of the photo will be very Face On.  So clear crisp and sharp.   The main shoot is going to be styled in a another way completely

Designers I have on my list for the spread are Joe Challita (of course . . with some exclusive dresses), Danny Tang  (from his stunning AW10 collection)  Liv Free is making something very amazing for the cover also.

So , this is about where I have got to.. E-mails have been sent, castings have started, Location scouts have been sent far and wide,

If you want to get involved , Mail me at Dave@davepiper.org.uk

I can not wait to get stuck into shooting this, I have the whole new range of NIK software plugins to try and review, plus I get to play with my lovely new Edwardo ( Eddie from the 3 legged thing company) the most divine tripods known to man.

More details coming, this shoot is going to be fun.

 

 

The ball is rolling . . . . .

 

My last FACE ON cover, Winter 2010

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Why Watermark a Photo ?

Ciaran Whyte posted a question on Facebook that did get me thinking a little. I have been meaning to write about for a while.

Ciaran asks:

I’ve been shooting 6 years now and to date I have avoided adding watermarks to my images. But given the recent theft of one my images and due a strange increase in requests for higher resolution versions of my images for wall papers, I have been revisiting the whole idea of watermarking. I’m not sure of the best way to add them… is this too much? Any suggestions?

I will be fair and balanced (ish) as I think outloud on to this blog.   My things is… If your are  going to be photos in the public domain, do expect them to be used by other people, legal or not.  If your not watermarking your work its like leaving the keys in the car, and the motor running, your asking for problems.

If the photos are being taken of a website that you can control, there are many many ways of preventing this by using software to remove the option to save the photo direct of the site. Taking away the , Save As function can solve many problems. This is a very simple thing to solve. If the photos are being taken from a third party site like Facebook, Model Mayhem,Purestorm or any others, its very simple to solve also. Just don’t use them. But, this is just not practical, so, most of us just except the trade off and get the benefit. Use a watermark.

I use a magazine style credit for all members of the creative team, Its a  nice simple way to give access and information to the other people while at the same time as showing ownership to solve and provent any simple faux pas. Its fine for me and my style of work, I can use it to show who does what and when, use it provide a background. Another key element is that I work in different ways with other people, This photo below was a was not my photography but my editing. It was in fact taken by my buddy, Bryon. Using this style of watermark is perfect for me to show my relationship to a photo.%Dave Kai Piper % Photography

Everyone is going to have there own reasons for tagging a photo, but it does shock me when people dont. I have to think,  Do they really not want to claim credit to there work ? do they not want people to trace the photo back to its creator ? If they don’t, can they really complain when it is used for something beyond there means to proven ? As a photographer that’s why I am putting the photos out into the public eye in the first place, the more times they are reposted the harder they become to track and find the end user. As a Photo Editor for a magazine, this is very annoying, having to try and trace owners of lovely photos.

As Photographer Jay McLaughlin says:

“mostly self promotion, my theory is that if someone wants to steal your image, they will… it’s a sad fact of the internet.

So I figure it’s better to let them advertise me in the process”

%Dave Kai Piper % Photography


“so what if someone moves it ? just out of intrestest ?  Would you confront them  ?”  I asked back.

“I’d do what I’ve done to a photographer recently send him an invoice then when he doesn’t pay… take him to court. I won’t watermark over the middle of an image it ruins it”



Paul Ottey says

%Dave Kai Piper % Photography

“I use watermarks so people can find their way back to my own archive of images on the internet. Direct links can become unclear after the second or third reblogging of an image. I think they should be subtle and added to the image in a way that does not spoil the viewers experience of the image”

Clear and very vaild reasons to use them, Its a good way to keep tabs and track of your photos.

 

 

 

The message here is, Protect your self and be sensible. Use a nice small credit or watermark, avoid problems by claiming ownership early on. I do want  leave this article a little open ended as there is another article coming soon to follow up, so , till then I shall leave you with a funky way to tag a photo.

 

%Dave Kai Piper % Photography

 

http://www.jaymclaughlin.co.uk/
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FOCUS ON IMAGING – Photo Expo:

FOCUS ON IMAGING – Photo Expo: BIRMINGHAM 2011

FOCUS ON IMAGING is Europe’s biggest annual imaging show, covering all your needs from image capture through to output and beyond. Whether you are a professional image maker or processor, a buyer of image making equipment or materials, a manufacturer or distributor of products or a keen hobbyist, a visit to FOCUS ON IMAGING is a must.

Over 200 exhibitors and product launches galore – -  So the Website says.

 

So,  Was it all worth it ?

Well.   its free (if you sign up before the event) So its off to a good start at least.  For me personally, I had an amazing few days, running about meeting people, making deals, seeing new toys, shaking hands, seeing demo’s and having a bit of a geeky time.

Canon deemed the event unworthy of there attendance, the word on the street was that since they do not have a new product to show, what’s the point in coming. Maybe to save face with your current clients who spend hard earned money with you ?  Its like Cadburys not being at a Chocolate Show. Canon lose points. Hasselblad did not attend either, it was a shame, but more understandable. It would of been nice to see Apple there too.  Sony had a HUGE stand with a very over the top runway event. Sony seem to think they were still in Japan. Sony still don’t have a camera to make me think of shooting with one, but give it a couple of years. The cameras have some impressive functions and toys, they just need refining a little for me. Pentex had a whole range of new cameras and the new digital back camera, but I never stopped to check them out, sorry ! i was really busy !!  I did check out the great new range from Lumix, very nice indeed!!
so who did turn up and brought cool things?  Well, Nikon had another new camera aimed in the middle of the range, the D7000. I would still put my money in the D90 , D700 or D3 though.  Anything smaller than the D90 would see me going to see the chaps at the Lumix stand.  One of the coolest new things I was shown was not even on show. While taking to the chaps on the Orbis stand (please do check them out - http://www.orbisflash.com/ ) I was introduced to Eddie.   Eddie is part of the new Tripod range from the 3 LEGGED THING company.

%Dave Kai Piper % PhotographyI am awaiting my very own Eddie very soon. There are two others in the new carbon fibre range, Jimmy and Brian.  Jimmy is the bigger brother and Brain a smaller more compact and lighter version, check the site our for more info. http://www.3leggedthing.com .  I really should say a very big thank you to the very lovely Album Epoca team.  This year I was asked to supply some photos for there new range of books. I designed the books and sent them off to be printed and never saw them until they were on display at the trade show, so I was very keen to how they printed up. I have to be honest and, yes.. even though they are my photos, I was taken back a little by the quality of the books and the print. Even the other printing companies were a little interested in seeing the quality of the print. They have over 400 styles of covers and the best print quality I have seen in a wedding book. No, there not the cheapest, but you can see where your money is going.  Seeing Flavio Bandiera’s work in these books is a joy, but, seeing my work next to his, well, is a slightly bigger joy to say the least. Do check out the Album Epcoa website and check out there amazing work.

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I had a very long chat with the people at the Royal Photographic Society and the BIPPm trying to work out which is best for me, I have a feeling the RPS are much more suited for my needs and we have been talking workshops amongst other things.

Topaz Labs and Portrait Professional were there showing some cool new plug in software for quick easy edits, I did stop and have a chat with the guys. Topaz were very impressive and very busy, they must be very happy with there results from the show. They have some clever software and slick demo’s to show it off. Lovely guys and best of luck to them. NIK software were there too,  I had a long chat with there Marketing Manager and hope to bring you some very good news very soon,  for me NIK have the edge with there stunning, well made range of products.  After a couple more meetings  I am sure there will be some amazing news!!  Its safe to say I think they had the edge on all the other “plug in” type products on display. The Topaz Masking tools (Masking 3) are very very nice though. The Topaz Labs programs seem more for creative style then NIK Software.

Inside Focus, an exhibitor’s Perspective, from James Madelin, inventor of the orbis® ringflash and frio™ hotshoe adapter:

“Focus 2011 was a big step up from last year… with many more photographers dropping by our stand to catch up, watch orbis® and frio™ demos and generally hang out and talk about all things lighting, tweeting and more (not forgetting the all-important topic “cake.”)

Tradeshows are great fun from the perspective of an exhibitor. It’s massively exciting to have a chance to hang out with such a diverse range of photographers in one place over a few days, and the atmosphere from our demo team was almost like I’d imagine a music tour might be, with everyone sharing nicknames and in-jokes by the last evening. Exhausting and energising in equal measure. I got to shoot some photos too, which is something I never feel I do enough.

Bring on Focus 2012 !

 

%Dave Kai Piper % Photography

%Dave Kai Piper % Photography

Damien Lovegrove had his new coffee table book on display of the extremely gorgeous Chloe Jasmine Whichello.  Chloe came down on the Tuesday to hang out and say hello, we caught up a little and had a look around , it didn’t take us long to find Starbucks.

Damien :- My first art or coffee table book will be officially launched at the end of March. The book titled ‘Chloe-Jasmine Whichello’ was shot over four and a half months in the second half of 2010. There are punchy street portraits, high class fashion shots and delicate art nudes among the 160 or so photographs of the fabulous C-J. The first 1000 copies of this lavish edition will contain one of five signed and numbered archival prints each in a limited edition of 200. The first 1000 books will also be numbered themselves and signed by Chloe and I.

I have been following Damien for a number of years and this new book is of the expected Lovegrove standard. Please do go and check the website for more information.

Standard Edition Price: £49.95 (Pre-order)
Special Edition: Available from FloppyChicken.com

Another little highlight was meeting the incredibly talented Steve Kraitt. He was not at the show, but myself and Chloe bumped into him at the Lovegrove stand. If you not know Steve’s work, I urge you to go and check his work out.  Have a look at http://www.kraitt.com/

To sum up, Its just like walking around a very large Calumet store to be honest, but, its also a fantastic chance to see more products in a great way to compare them. It is also, a fantastic chance to network. As you might well guess if you did come to the event. Its set up to sell, and sell alot. Calumet, Jessops and Jacobs were all there with a whole host of the smaller trade show sales shops. You could lose lots of money very quickly indeed. Especially if you went to the Phase One or Fuji stands. The Colour correction and printer company were there in force with Fuji and Epson taking the Key spots. The event is set up to sell and provide to wedding photographers, this means that the wedding album printers are all there and all have very busy stands. (Album Epoca are the best – because they use my work in the demo books !  I have to say it !!)

I would love to see Focus really focus on photography and photographers a little bit more, it would be fantastic to see the Arts world a little bit more represented at these sorts of shows, I say get some local artists to show work !!  A nice gallery would not go a-miss at a photography event !!  I shall leave you with a the very lovley Vicki Blatchley modelling a Brian the tripod from 3 Legged thing.

%Dave Kai Piper % Photography
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Claire Randle | Fashion Photography

A couple of weeks ago I had a very nice phone call out of the blue from the lovely Claire Randle.  She informed me a about a shoot she had planned with another photographer that got cancelled,  and then pretty much told me I was shooting instead %Dave Kai Piper % Photography   No problem !!

These photo we all shot on a Nikon d90 in my front froom, Post Production was my own take on a cross processing sort of thing.

Photography, Dave Kai Piper
Make up, Penny Grimley
Model, Claire Randle

Coventry, England

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