Tag Archives: Punk Rock

Orbis Interview

A while ago…

I met a man called James, he showed me a flash adapter called the orbis® ring flash, I got my grubby hands on one and its been love ever since.  I was asked to do an interview for the website and blog, This is shown below.  If you know me or have seen me shooting, you will kn0w how much love and use my Orbis. I am not just trying to sell the thingy or be a promo spokes person. It’s something I actually enjoy using and suits my style very well. It also just happens that the Orbis people are uber cool people too.

All the photos on this blog are shot with a Nikon camera (D90 and D700)  a fast prime lens, an SB900 with an orbis® ring flash mounted via my frio™ (on Eddie, the 3 Legged Thing tripod.)

 

“Do you want the truth or something beautiful?”

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When you get a man like Dave Piper to sit down and answer questions for you, what do you ask him for an exclusive orbis® ring flash interview? Perhaps, something about his equipment? Or maybe the work he did at The Cannes Film Festival? Or perhaps instead, like us, you’d ask him what he thinks about before he presses the shutter button (and read quite possibly the most eloquent answer to that question we’ve heard in a long time…).

We chat about his muse Chloe-Jasmine Wichello, shooting in London the day after The British Music Awards and how he thinks photography holds up against the heavyweights of digital media. Ladies and gentlemen, Dave Piper

Q: How long have you been a photographer?
All my life I have had a love for art and story. I have spent my last four years shooting weddings, bands, portraits and fashion editorials. My time is balanced out with many other things. Most photographers have a number of incomes and I am no different. Much of my time is spent split between my re-touching service and bespoke one-to one workshops.

Q: Are you a pro or amateur? What was your breakthrough, either when you knew you were in love with photography or when you became pro?
Well, I have had a romantic link with photography in all its shapes and forms for as long as I can remember. People like Tim Burton have had an untold influence on the way I see the world, it’s all about the artistic vision for me. How could someone not love the world of photography, it shapes and drives everything around us?

I remember during a photo shoot at Cannes Film Festival this year, pausing and thinking, am I really here?… This year alone I have been to more places than I ever thought possible, all of it due to photography. One of my first breakthrough shoots was…. … a shoot with celebrity Aussie designer, Joe Challita. We took three beautiful models in these amazing dresses and did a shoot in the middle of London the day after the British Music Awards.

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Teaching with Bryon Pa ul McCartney on his Tuscan based workshops was a good step forward. Bryon was the first person to show big trust and faith in my work, both shooting and teaching. Another big turning point was meeting my partner and muse, Chloe-Jasmine Whichello. 90% of my best work is with Chloe and a constant source of inspiration.

In 2009, I was walking around the Focus on Photography (Birmingham, UK) event thinking how amazing it would be to have a portfolio made by Epoca. Last year I got a phone call. It was from a lady called Terri Romolo; she works for Album Epoca. Terri had called me to ask if they could use some of my photography for the books on display at the exact show I was at the year previous. Terri and Epoca have been amazing to me since and continue to produce the most stunning wedding and portfolio books. My Epoca portfolio goes everywhere with me.

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Photo © Dave Kai-Piper. Model: Chloe-Jasmine Whichello

Q: Tell us a bit about the setup for your photo shoot(s) – lighting, equipment, post processing?
“Content is King”, Sir Cecil Beaton showed us this. Simplicity is the key for me and I shoot with Nikon cameras and fast prime lenses. Very simple kit and lets me be super mobile. A lot of the time I shoot with reflector or the orbis® ring flash on a tripod.
There is a clear difference between digitally editing photos and digitally developing them. I work to an Adobe workflow system. Bridge > Lightroom > Photoshop. Over the last year or so, I have started to implement a system using a Duotone and Tritone colour palette and have found some inte resting colour effects. There are many great plug-in’s perfect for weddings and such; I’m using the Nik Software plug-ins. Although a lot of people might think so, I don’t actually use a Mac set up. I use Dell workstations, Wacom Tablets and Dual Dell screens. Lighting wise, I love to try and be as natural as I can, but when shooting in a studio or working with flash, I currently use the new Trinity Lights from Elemental, very nice lights indeed.

Q: How did your orbis® help?
I do love the orbis®, I might use it in a strange way though. My orbis® pretty much lives mounted via my frio™ (on Eddie, the 3 Legged Thing tripod). I use it to provide back lighting and extra light to shape and illuminate people. I find the orbis® is great at creating mixed lighting (natural & flash). With a quick flick of a button you can have an instant soft box. Stand behind it and shoot through it, you have a ring flash, stand someone in front of it, you have a backlight. Kids love it too as it doesn’t get hot. I’m about to start taking two orbis® flash units with me to instantly create fast simple lighting solutions. It’s comforting to know that the orbis® will bail you out of tricky low light problems. The orbis® is perfect for those close up macro photography shots too.

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Behind the scenes with Chloe-Jasmine (Make up Artist) & Oliva Ward (model)    Gingersnap Models

Q: The orbis® is designed to give photographers an edge. It’s very challenging to make a living as a professional photographer, what are your tips for staying competitive in the industry?
Produce things that people need and want. Be in the right place at the right time. I guess it’s just that simple. Which is why it’s so challenging at the same time. It’s about getting the job done. Get the job done in the most stylish way possible.

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Q: Your photos have a particular quality to them, how would you describe your personal style?
My work has started to develop a style that is both colourful and playful while keeping a high impact and vintage ethic. I like to give an element of story and drama. As a designer, this concept of story and narrative is always close by. I want to be entertained. Many of my artistic influences are film makers and musicians.

My Dave Piper photography website has the tag line :

“detail and clarity, fused with narrative form and function”.

Q: Are you a self-taught photographer, did you go to college or university, or did you have a mentor?
Fully self taught, sitting down and learning things does not come naturally to me. I learn best by observation. I cut my teeth with a wedding company called Prestige Photography. One day I walked in and asked for a job. A year later I was asked to assist on a wedding with them. Darren Rudge was the man that took that gamble. He looked after me for a while until I turned to the fashion world. Most of my awareness has come from the pages of Vogue, 125 Magazine, Love Magazine, Hollywood and MTV.

Creative minds like Tim Walker, Robert Voltaire, Sylvie Blum, David LaChapelle, Sally Mann, Jerry Uelsmann, Sir Cecil Beaton, Rankin and Woland continue to teach me.

I have never had a mentor as such, but lots of people have looked out for me. Bryon Paul McCartney would be one person who went out of his way to give me a break, I owe a lot to him.

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Photo © Dave Kai-Piper. Model: Chloe-Jasmine Whichello

Q: Is there something you always ask yourself/think just before you press the shutter button?
It’s usually “Is this photo going to sit on my hard drive forever, untouched and just wasting space?”. With the Digital Age, its very easy to shoot 1000`s of frames. This is a pet hate of mine. If I shoot 50 frames, it would be nice to have 30 usable photos and 10 great frames. 80% of photography is done before you press the shutter. The thing I tend to think about before pressing the shutter is “Am I ready to press the shutter?”.

Q: What is one last impression you want to leave in your photos?
That’s an interesting question. Many people these days just see photography as something that is used to paparazzi celebrities. I want to leave the idea that, with all the many forms of digital media today, the still photograph is still king.

Q: Do you have any tips for those looking for advice from recognised photographers?
Have a vision, have an idea and have respect for the people around you.

Follow photographers’ blogs, send them questions, and ask to help, ask to assist. I love to get questions via e-mail and my blog. Many photographers will take the time to get back to you, as long as you ask sensible questions. Ask the normal, what brand camera do you use, and don’t sit about waiting for a reply. Be open and interesting, ask those questions that get people engaged. Above all, be confident in yourself.

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Photo © Dave Kai-Piper. Model: Chloe-Jasmine Whichello

Q: Where can we hear more from you or see more of your work?
Check out my blog and website, or come say hi on Facebook. My website also has a contact page for more info.

Email |dave@davepiper.org.uk?         500px | http://500px.com/DaveKaiPiper

Dave Piper is but one of the many amazing photographers that we’ll bring to the forefront through a series of orbis® blog interviews. We’re stoked to have a diverse range of photographers equipped with the orbis® and even more so that we can share their tips and insights, because sharing is caring!

For stunning results like Dave, get your own orbis® in the enlight photo pro store and check in next month to see who’s getting amongst it with the orbis®!

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Chloe-Jasmine | in the park

 

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Just wanted to share these with you.

Myself and Chloe-Jasmine were headed to a shoot in Birmingham the other weekend. After a Cancelled train and a broken down car, we just headed home, I grabbed my camera and we went for a walk in my local park. Enjoy !!

These were edited using Nik Software and Photoshop. Shot using the Orbis & SB900, Nikon D90, 50mm @ F1.4

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Tilda Swinton (Ice Queen) Cover Shoot

I have been meaning to write this blog for a long time, it’s a bit over due, but never the less, it’s here. It’s about the digital side of how the Winter 2010 Cover Shot was edited up. I really don’t want to get into detail about how, in a detailed technical way anything was really done here. It would take a long time if I were to do so. If you do want a closer break down, mail me !!

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I have to be honest, the cover did end up a little different to how I wanted it. I really wanted to not have to use a digital composite photo for the cover, the original plan was to shot the cover super low @ f1.2 and to use a digital projected background that I had pre-made in Photoshop. In the version of the photo that was used, F8 was used , shot on a white background and the background is fully digital. This was because the f1.2 version gave a much darker feeling, although, I prefer the photo ( which can be seen here ), it was not suitable for the cover of a make up magazine. So another photo was selected. During the shoot a few “safety” shots were taken at the higher F-stop as I knew the F1.2 shots were going to be a risky move.

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Photoshop was the starting point, I made up an image to be used as my projected background. On the cover photo, this was just added in as a background layer and composited in.  I guess this was step one, joining my background and model.

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As with all my editing work, I like to keep to a similar flow, starting with the Skin, Sharpen, Colour, Stamp Clone and repeat. Using about a million layers in the process. By the end of this photo, there are actually two PSD files, each with about 30/35 layers each. I could have used a PSB file which would have be better I think, but, next time maybe. A PSB file is the same as a PSD file, but designed to look after much bigger files.  So the photo. had a good going over with the Stamp and clone tool, but, due to the amazing make up, the skin was pretty much flawless to start with. To begin with I was very worried about how the background would interact with my model, so some colour blending layers are added to even out any tonal problems with the layers. I needed them to match perfectly. Levels and photo filters are used controlled by layer masks.

To begin with, all my focus is on the background, then I turn my attention to the darker tones , bringing them into the tones and colour I want to use. more adjustment layers are used for this. My main focus was to get a nice punchy blue and contrast. Once I have them where I want for now, I pull the middle tones in then followed by the higher tones. Using a combination of Saturation and Hue changes with the paint brush tool, the make was lifted and enhanced. I am not a big fan of the dodge or burn tools, instead i prefer to use levels and control them using layer masks. Colour work has begun on the eyes

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At this point I have my full colour adjusted photo pretty much where I want it, with the background nicely placed and  good place to start really finishing off this photo. If you look close, you should notice bits of the dress have been repaired, bits of hair placed to improve the balance, lips and jaw line lifted. The main change in this layer is the grey overtone that has been applied. This was done using a Duotone Layer made up from shades of Gray.

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Skin Colour work has really begun to take form. Using layer masks, lighter colours are painted over the skin in Screen mode to help build the matt shine. Work on the finger nails and hands has begun. The whole frame is being duplicated and re-layered over the existing photo , then blended back down to start to give the soft transparent shine. A few more areas are targeted for the unsharp mask tool. A few of the gems are lifted off the skin to create more balance. The stones that are left are sharpened one by one and have the glue behind them removed. Shape of the eye is enhanced.

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The whole photo is level corrected (duplicated, placed on top then merged down using layer blending modes, controlled with layer masks) , converted into CYMK, cropped into the cover ratio, logos added and printed. Simple !!  ish !!

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Face On Winter cover

Photographer | Dave Kai Piper

Model & Make Up | Liv Free

Styling | Krishan Parmar

Dress | Joe Challita

Rings | Fei Lui

 

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Royal Inclination | Tear Sheet

This how RAG MAG introduce Joe , below is the 10 page exclusive spread. These photos were shot over a 3 shoots, credits are on the photos.

JOE CHALLITA, 31 year old Australian-Lebanese designer, adorest women. RAGMAG knows this because only a self professed “dreamer and a helpless romantic” could create gowns that virtually sing. We decided on JOE for our ROYAL ISSUE because the man brings out our love affair with fashion on a grand scale. Graduating with a double degree in Arts and Law and becoming a qualified solicitor, he then transitioned into fashion. We spoke to JOE about celebrity, geographical influences of the Commonwealth and Lebanon, Khalil Gibran, and WHAT MAKES HIM FIT TO DRESS THE QUEEN.

Joe is by far and away my favourite designer on the planet, every time I shoot a CHALLITA dress is such an honour.

RAGMAG – http://www.ragmaglive.com/

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Claire Randle | Fashion Photography

A couple of weeks ago I had a very nice phone call out of the blue from the lovely Claire Randle.  She informed me a about a shoot she had planned with another photographer that got cancelled,  and then pretty much told me I was shooting instead %Dave Kai Piper % Photography   No problem !!

These photo we all shot on a Nikon d90 in my front froom, Post Production was my own take on a cross processing sort of thing.

Photography, Dave Kai Piper
Make up, Penny Grimley
Model, Claire Randle

Coventry, England

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Verena schwarz auf weiß | Fashion Photography

Whilest in Zurich last year, the loveley Verena Kosheen came to model for me.  Enjoy.

Photographer :
Dave Kai Piper @ www.davepiper.org.uk
Bryon Paul McCartney @ www.BryonpaulMccartney.com
Digital :
Dave Kai Piper @ www.davepiper.org.uk
Make Up :
Simone Zbinden @ www.bperfect.ch
Model :
Verena

The Photos are finished using a Duotone process for the Black and White conversion.

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How to edit | A little more in-depth

Just another quick little “how to” blog using some screen shots.

A couple of people have asked for a more in-depth blog about fast ways to edit a portrait. This is my “quick” way.  Its not meant to be a high-end beauty retouch, but a nice pleasing way to finish a photo in an interesting way.  Screen shots of the editing steps,  so maybe it might be a little easier to keep track of the process for newbie people.

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My stunning model is Verena from Zurich.

Make up was done by Simone Zbinden @ www.bperfect.ch/

This was shot @  Bryon Paul McCartne’ s Viewfinder Studio.

Step One | Stamp and Clone.

Start to tidy up the skin, hair lines.

As always, Step one is to get your photo. The shot I am using for this shoot is of Verena from Zurich. She has the most amazing eyes and lips. These are my key elements and we shall try and highlight them in the development process. Once again, we shall make use of the Duotone method and a simple plug in.

The first thing that you wont notice, is that at no stage is this photo going to be cropped in the development stage. Crop in camera, every time. Digital development is not there to rescue broken photos, its for finishing good ones.

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I have started this step by duplicating the background layer, placing above, then selecting the stamp tool, (key-cut – s ). Zoom nice and close and just do some tidying work to the larger distracting elements, hair lines and perfect the makeup. Use your own artist view to decide how smooth and polished you wan the skin and overall look.

These two photo show the before and after of my stamp and cloned effects. I think of this stage as prep work for the later smoothing of the skin.

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Step Two – The Skin.

A quick plugin and mask.

To push the skin-work a little more, and to save time, I am using a plug in to get a nice effect on the skin. There are many good plug-ins and tools that you can buy and lots of them are very good. I like the toys from Imagenomic. Plug-ins can be very powerful when used in the correct way.

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Create a new merged layer of your clone and stamped , smoother layer and open up this layer in your plug in. ( you can download the plug in for a 30 day free sample ) When using editing modes and filters such as these I prefer to push the effects hard then pull this back in the layer modes and opacity. For example. In the plug in , you will notice I have all the settings on max and gone for a really barbie doll like look. At the moment for this step I am only looking at the skin, not the eyes or hair or any other detail. The only thing that matters is the skin. I am trying to a get a really flawless skin effect.

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Once I have my new super skin layer, apply the effect and Photoshop will come back to the main screen, your new layer should be in the top. Add a layer mask to the new layer and with the paint brush, remove all the of the new layer that you don’t want, thus, just leaving the effected layer visible over the skin. ( little pro tip – use the mask reveal mode to fine tune your mask , press the “\” button ). you will notice that you can balance out and create some nice depth just using this method. If you don’t want to use the plug in method. There are a number of other ways to get this look in a dew steps. This is not going to be a high end beauty shot, so lets not worry to much.

I do think the most simple way is the best way as a rule. After creating my new layer and creating my layer mask to go with it ( using a soft brush and soft edges ) , my file looks like the screen shot below.

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Step Three – The Sharpen.

The Unsharpen sharpen.

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Create the photo, develop, then color is my work flow, it does confuse me why people tend to sharpen there photos as a last step ?. After I have my new lovely skin, I want to sharpen up those tiny details to really make the photo “pop”. There are many many ways to sharpen a photo, all have there uses. I like to use the Unsharp tool.

Sharpening filters emphasize the edges in the image, or the differences between adjacent light and dark sample points in an image. The generic Sharpen or Sharpen More filters are often for graphics, and are less suitable for color photographic images. However, filters do vary, the name “Sharpen” is vague and is not always very descriptive, it is hard to say what they do. But the Unsharp Mask is where the action is for photographs, the standard tool. It offers the necessary greater control. Its my weapon of choice 90% of the time. The Unsharp Mask filter has parameters that allow it to have variable effect, to primarily affect the strong edges in the image, and to specifically exclude the smoother low-contrast areas. It is NOT a simple on/off choice. It is these parameters that make the USM so powerful and useful for photographic images. The Photoshop USM tool is shown, and Elements USM is the same.

One thing to remember when adding your sharpening filters, well a few things,

  • DONT over sharpen.

  • Create a new layer and apply using Layer Masks.

  • DONT sharpen your whole photo.

  • PULL OUT KEY ELEMENTS.

  • The fastest way to make a rubbish photo is the sharpen tool.

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Step Four – Add some color.

Add some creative lighting.

Create another new layer by merging all the layers into one file. Sometimes, if I have done a lot of complex layer masks I might make a new file to keep my file simple. Some people might say that’s silly as then I can not go back to every step. But then again.. each to there own. So you have a new layer. Ready for a little bit of color touch up. Eyes and lips are the key elements I wish to show. So these are going to have a tweak to make them stand out a little. To color them I am going to add a Hue/Sat layer and change the color using the values. See photo below. Remember, your only looking at the color of the eyes when adding your color. Using another layer mask you will let this layer come though only in the places you want it to. See the other example photo. The red coloring shows the parts of the photo that wont let that section of the layer show. I have also used this effect to color the flowers a little.

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his sample screen shot shows all my new color layers with the layer masks on each layer. If you want to keep your PSD history nice and clean, maybe use a group to set these layers away from the other layers. I am not that good at keeping a tidy work flow, but if you are going to have a couple of people working on one photo, its nice to tag and name layers, ie: eye color mask, Lips mask etc.

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Step Four – Duotone.

add an overtone.

The Next step is also a very simple and cool trick, The use of a pre-made Duotone color filter. (There is a blog about duotones on my site). Just think of them as color mapped filters to match your photo. Its like putting a mono-color version of your photo over the color version. You can just use a simple color filter, like the photo filter or make a color by just filling a layer. Have a play about with different ways and you will find what works for you. To create your own toned layer, duplicate your newly created final layer into a NEW DOCUMENT. Convert in to Grey-scale then convert in to the Duotone mode. Sorry if I just jump a little here, but select your colors using the ink selection process, or select one of the many pre-made tones. Have a look at the Triones, monotones maybe. The aim is to get an interesting color that will fit over your color version to give some extra elements of interest. Have a play with this section.

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I have gone for a nice purple – Grey tone range. To add the color layer onto the color file, just drop and drop the layer on the top of your layer stack. Something important to think about is the layer blending mode in which you want to use something to let your combine in a nice way, for this example the Lighten Blend mode was used.

At this stage I am pretty happy with my almost finished photograph, but I still feel its a little flat, I have used a yellow color filter to over lay the whole photograph to just add some punch back in. This also works with the story and content of the photo. Once again. Add the filter using Layer Masks.

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And done ! A very quick easy simple way to edit a photo. At this stage I would save a PSD version if I am to edit up a set of the photos to ensure my steps and settings are saved, then save 2 other versions. One CYMK converted TIFF file , just in-case I need a print ready file, then make a smaller 1000px high Jpeg version with credits on for the internet.  my final version as some added level changes and a few other changes. Enjoy !

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Joe & the Yellow Dress | Fashion Shoot

Joe & the Yellow Dress | Fashion Shoot
MUA: OscarAlexander @ http://www.oscaralexander.co.uk/
M: Beth Webb @ Storm
Dress: Joe Challita @ http://joechallita.com
Thanks to Linda Friis @
London | UK

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Sometimes it takes a while to get the time to finish up editing shoots.   These photos were shot early last summer, a set was edited up for 8 page spread in Haute Magazine, A Peter Lang Jewellery campaign was created and some other smaller magazine work.

I shall try and edit up some more over the Christmas break.

These photos were lit with a single 500 bulb with a reflector, the light was direct onto the model, a Multi Layer Duotone was used to finish them in the Post Production stage .

Enjoy.

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All Time Low – Live Music

The All TIME LOW

The first time I had heard of the The All  Time Low was an album called Punk go Crunk, They did cool cover of Umbrella by R&B singer Rihanna. I am big fan of Punked up covers so I kinda thought  I would be a fan of band live.  Turns out the best thing about this band was how they party after the show. Which is not leave you in any doubt about how good they are live. Amazing, does come close to there stage presence. But the Double Jack that I was bought after..  well .. Thank you.

These photos are from the Birmingham leg of the Kerrang! Relentless Tour 2010 With The Blackout, My Passion and Young Guns.

All Time Low Hail from from Baltimore, Maryland,  they formed back in 2003

So far they have 3 releases

  • The Party Scene (2005)
  • So Wrong, It’s Right (2007)
  • Nothing Personal (2009)
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These boys are ones to watch for sure.  American Pop Rock for the Win.  But when a band formed to play Blink songs and named them after a New Found Glory Lyric, It was never going to bad.

The band was eventually selected as Alternative Press Magazine’s Band of the Year for 2008

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Reel Big Fish | Music Photography

I forgot how much fun this band are, AMAZING LIVE SHOW.  Once again, full access to photograph the band. LOVE IT.

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The last band I had shot live was a good few weeks ago, since then LABB MAGAZINE has been my 100% focus, but tonight was so much fun. A couple of ciders, a couple of hello’s to old friends and in the pit and a punk  rock show. The only downside of the night was the muppet in the crowd who chucked his drink all over me whilst I was working.  But hay..    Thats Rock and Roll right.  Thank you to the Tour Manager for sorting me out very last moment.

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The Line up was Sonic Boom Six, Big D and the Kids Table and Reel Big Fish.  Some how I did not expect sure a big crowd, but lots of cool people turned out in the cold..  and..  I was not the only fool in shorts, so that was nice.

Enjoy the photos,  the full gallery can be viewed here.

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