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Cool in Manchester

I just wanted to share a couple of shots taken in a hotel lobby after a winter/snow shoot in Manchester.

The rest of the shoot is coming soon.

Photographer: Dave Kai Piper
Hair & Beauty: Samantha Mercer
Models: Alpha Agency (thank you to Liz for all the hard work getting this shoot together)

Salford Quays | Manchester

 

Huge thank you to Mark Evans & Chloe-Jasmine Whichello !

All these are shoot with a 50mm, Nikon d90 and lit using the SB910 / Orbis

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The Glasses Shoot

 

Ages and ages ago, Chloe-Jasmine and I had a little shoot at the house .

These are super simple.

  • Single Light from an SB900
  • Light modified using the Orbis
  • 50mm prime lense

The B&W conversion was done using the Duotone Mode.

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The Unknown Photographer

The Unknown Photographer - http://unknownphotographer.net/

For Updated Part of this blog check Let’s Get Cooking http://shar.es/WExGn
you can find a how to guide about this photoshoot here.

 

So, as I was trying to look like I was doing some “work” I found the home of the Unknown Photographer the other day. An interesting and intriguing website I thought. A short investigation of the project and it had me hooked. When I noticed the little video asking for people to get in touch I did so without a moments hesitation. After all I am unknown and I am a Photographer

So what had me firing of my to register my interest, and interest to what ? Well, let me introduce myself what I do. I am Dave Kai Piper, 28 almost 29, and I take photos and coach other people who take photos too. Photographer and Photography Coach. I come from the UK and shoot with with my own take on Fashion and contemporary Portraits. I love to make complicated things look simple and push simple things to the limits. I love to get people shooting and fire up the creative light we have within all of us. Which, is why I love the concept of the Unknown Photographer, for me it’s about the bigger picture (excuse the pun). I have a saying I like to use: “ Photography is not about photos, it’s about people” and for me this project fully proves that point. It’s about getting people together, it’s about sharing the world, the paths we take in it and the things we have learnt. It’s about real people doing real things, meaning, this is something that can really help. It’s not about super high end glossy photos taken on a super sexy Hasselblad with a world class creative team shooting for Prada, it’s about you in your park taking photos of a duck. It’s about being relevant to the wider photographic community. There is nothing wrong about high end photography, I am guilty of chasing my next cover for a magazine too, but there is more to this world and the Unknown Photographers aims hunt that down. Fabulous ! Fashion to Food, Medium Format to Mobile Phone, there will be something for everyone here and everyone can learn from it. This is a core value I agree with.

As an educator, I know how important the delivery of information can be. It’s vital to know how to engage with people and to understand how to communicate the messages, and even more so, to know what messages to communicate too. It’s important to not give the right information at the wrong time and to not give the wrong information at the , well, to make sure all information is relevant. This is a core idea at Unknown Photographer. Being able to give real world practical advice for people at every level. For example, I would not jump into a telling a new photographer that I use a Quadtone /Duotone conversion method for my Black & White Conversions. I would tell them to to press the BW button and leave it there. Does a new photographer that is learning how to press the shutter button really need to be bogged down in PS for a year, do they just want to get out and shoot ? We can always come back to that later down the line. The main point is that it’s very easy to over-complicate things. Sometimes the best people to learn from are the people around you / at the same level. The Unknown Photographer brings you this, and that is fantastic.
It’s a community thing, its about seeing how other people deal with the same constraints as you. Seeing how people have tackled the same problems, seeing how people have innovated and avoided splashing huge amounts of cash. How good can you be with a cropped sensor and a speedlight ? Do you really need all those lenses ? Do you really need to spend hours per photo in Photoshop ?

Photography is about vision and being visually aware and the only way to do this is to open up and see the word around you, being open to listen. Be ready to be inspired by everyone and everything. It’s a big wide beautiful world that starts on your doorstep. If the Unknown Photographer helps demonstrate this, it has my backing 100%.

Oh, the below photo is from a D90 with a single speed light.

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For Updated Part of this blog check Let’s Get Cooking http://shar.es/WExGn
you can find a how to guide about this photoshoot here.

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It’s all about being inspired !!

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It’s all about being inspired !! This blog is really inspired by the vastly talented Camilla Akrans.  Camila is the photographer that can lay claim to the photography used by Rhianna for the LOUD album. I love the tones Camilla has used, the bright red hair reminded me of another great album cover. I was inspired to do a Dave Kai Piper inspired mix of the two great shots.

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Having the right look or image of paramount importance for the modern artist in the super fast turbulent music world. Just being noticed is hard enough, you have to look good too. Just look at the pop stars of today, the presentation and image can be more important than music created.  Lady GaGA is an artist who has clearly fully understood this. Big money is spent on crafting personal images that can be sold and marketed worldwide. As a photographers we are a crucial and powerful cog in the media machine that enables this to happen. Its a tricky thing to get right. How does one begin to shoot a cover photo for someone like pop singer Rhianna. Camilla Akrans is the photographer responsible for Rhianna’s LOUD album. She did, what I think, is utterly fantastic job on the album. Its a great sexy and fashion look, something Camilla does seem to pull of again and again with sumptuous effect. It is clear that hours of careful planning and test shoots would of taken place to create such a project.

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I have used Camilla’s wonderful work to inspire a shoot of my own. But, as always wanted my own spin on the idea. I wanted to show you my take on the purple duotone / cross processed look that Camilla has used to perfection on her cover shoot. Marilyn Manson had a very popular album called Mechanical Animals, it has this wonderful androgynous look, together with the red hair. These were my visual ques. The very beautiful Victoria Coutts from Gingersnap Models stepped in for me. The wonderful Chloe-Jasmine Whichello added the perfect make up.

We had our model, our inspiration, we just needed the photo!


CLICK HERE FOR A FULL PDF GUIDE on how the photo was shot and edited.
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Chloe & her glasses | Portrait Shoot

The other day, I just happened to have the wonderful Chloe-Jasmine in my living room, we shot a few photos using the orbis® flash.

These are all shot with the orbis® mounted on a 3 legged thing tripod, with the Frio Coldshoe.  Nikon D90 & 50mm lens

 

More photos from this blog , Just click on the photos !!

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Infrared Photography

I am by no means an IR professional photographer (Infrared photography), I am just someone who is lucky enough to be able to shoot with converted camera.

 

Check out my Flickr account for more of the IR set that I have been shooting over the last few months.

IR Flickr stream

All these photos have been taken at 50mm with a Converted 5D.   I am happy to take questions about the camera or any other details.

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Dave Kai Piper Interview | Lady Sybilia

Photographer Dave Kai Piper interview-

“Do you want the truth or something beautiful?”

An interview with Lady Sybilia for http://sybilia.wordpress.com/

 

“Perhaps the pursuit of perfection, is the pursuit of sweetness and light.

~Matthew Arnold~

Coming across Dave Kai Piper’s work was an interesting moment for me as i’ve been always evaluating personal style,aesthetic choices that reveal a direction towards soothing the eye with pure photographic artistry rather than initially impressing  with uber fabulous choices of subjects,lighting,editing, as i reckon is the current trend. Ok i like several styles. Yet, the above plus the personality of the photographer itself played a significant role in me requesting him to answer,in his very own style naturally,the basic ‘Lady Sybilia’s’ questions…He kindly accepted, showcasing the context behind the concept..and other interesting details..

Your work showcases a strong interest in certain vintage aesthetics with a modern view. Is that the case?

Its a complex subject, however you’re not far wrong. I love the romance and elegance from what we could call Vintage. I would not for one moment say that I set out to shoot anything Vintage for artistic merit, its more to evoke a feeling of time and place. The concept of Vintage is tricky for me. For me, Vintage is more a concept and context in which to tell your story.

If you were ehm.. ‘forced’ to choose a certain era/photographer for image inspiration, which would that be and why?

I guess this answer is an extension of the last. Most of my biggest artistic influences have not been photographers or artists in the context of still frame. I am sure the close links between my family and the church have had an impact. The Catholic use of the Baroque after the Council of Trent, I guess, would be an era that was a catalyst for me and my work. Normal is never quite enough. I love the way the Baroque comes after you. It makes you form opinion, it makes you form your views. I like to think my work can do the same. Pretty photos are not enough, they need to engage the audience on another level. Inspiration is a strange thing. Being lucky enough to live in the UK we have some of the most amazing photographers and artists on our doorsteps, so there are many people I could name. When it all comes down to it. I like a good story. I want to be entertained. Many of my artistic influences are film makers and musicians. Marilyn Manson being the biggest along with Tolkien. Over the years there have been many amazing people who have shaped my world view, and there for my artistic views too. Its a very hard question to answer. But, If forced to, I would say, Cecil Beaton. This would for the sheer honest elegance and ability to create a story from a still photograph. Beaton shows us that photography is about content in context.

-Could you describe your overall vision/idea behind your work?

Sounds awfully Cliché, but I am quite aware that my work will live longer than I. I want to make a body of work that is going to live beyond me. To give something back to the world that has given so much to me. I guess my artistic views are formed on the sense that, what ever I do has to be created to stand for many years to come. To answer the first question. Yes. Its my version of what the Baroque is.

-Was fashion photography/photography your main idea or a career or emerged through life experiences?

I would still not say I really do shoot fashion. I would say that my style is to shoot fashion based portraits. The main focus is emotive content, then subtext is fashion in most cases. -Could you define some major influences that have shaped your view on things, perhaps photographers, designers, artists? There are many people who have shaped my views. There are few people who have actively came to me and helped me though. These people have defined me as a person and played major roles in my life. It’s unfair to name people, but they do know who they are. Most of them have not been photographers or artists, but people. Most of these people have put their time and energy into me a person, I owe a debt to these people, that, one day I hope I can repay.

-Are there some moments you’d define as crucial to your career, certain collaborations ,work features etc, that come to mind as milestones to you as a photographer?

Meeting Bryon Paul McCartney ? Meeting Chloe-Jasmine Whichello ? Meeting George Eko ? Meeting Steve Lewis ? Meeting Joe Challita ? Meeting Karl Baxter ? Meeting Krishan Parmar ? . . . It’s such a long question to give an honest reply to, the list above could go on for a many a thousand names. But of course there are some people who have had a more direct impact. Some people have been in my life for an hour, some people for many years. Some people I might never see again, others I am yet to meet. I don’t think I have reached any major cross roads yet, but, when I do, I am sure I will have the right people around me to help me see my path. Sometimes life is about choosing the people you stand next to.

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The Westminster Shoot | Fashion Shoot

 

These were taken way back in Jan for Rag Mag out in Beirut.

Photographer : Dave Kai Piper
Make Up & Hair: Leah Mabe
Model: Racheal Howard / Chloe-Jasmine Whichello & Ruby Slate Balthazar
Dress: Joe Challita
Jewellery: Peter Lang A/W 11

A very special thank you to Lucinda Ellery and Chloe-Jasmine for the location and all your help on the day.

Westminster | London
Shot for Rag Mag | Beirut

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Chloe-Jasmine | in the park

 

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Just wanted to share these with you.

Myself and Chloe-Jasmine were headed to a shoot in Birmingham the other weekend. After a Cancelled train and a broken down car, we just headed home, I grabbed my camera and we went for a walk in my local park. Enjoy !!

These were edited using Nik Software and Photoshop. Shot using the Orbis & SB900, Nikon D90, 50mm @ F1.4

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Tilda Swinton (Ice Queen) Cover Shoot

I have been meaning to write this blog for a long time, it’s a bit over due, but never the less, it’s here. It’s about the digital side of how the Winter 2010 Cover Shot was edited up. I really don’t want to get into detail about how, in a detailed technical way anything was really done here. It would take a long time if I were to do so. If you do want a closer break down, mail me !!

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I have to be honest, the cover did end up a little different to how I wanted it. I really wanted to not have to use a digital composite photo for the cover, the original plan was to shot the cover super low @ f1.2 and to use a digital projected background that I had pre-made in Photoshop. In the version of the photo that was used, F8 was used , shot on a white background and the background is fully digital. This was because the f1.2 version gave a much darker feeling, although, I prefer the photo ( which can be seen here ), it was not suitable for the cover of a make up magazine. So another photo was selected. During the shoot a few “safety” shots were taken at the higher F-stop as I knew the F1.2 shots were going to be a risky move.

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Photoshop was the starting point, I made up an image to be used as my projected background. On the cover photo, this was just added in as a background layer and composited in.  I guess this was step one, joining my background and model.

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As with all my editing work, I like to keep to a similar flow, starting with the Skin, Sharpen, Colour, Stamp Clone and repeat. Using about a million layers in the process. By the end of this photo, there are actually two PSD files, each with about 30/35 layers each. I could have used a PSB file which would have be better I think, but, next time maybe. A PSB file is the same as a PSD file, but designed to look after much bigger files.  So the photo. had a good going over with the Stamp and clone tool, but, due to the amazing make up, the skin was pretty much flawless to start with. To begin with I was very worried about how the background would interact with my model, so some colour blending layers are added to even out any tonal problems with the layers. I needed them to match perfectly. Levels and photo filters are used controlled by layer masks.

To begin with, all my focus is on the background, then I turn my attention to the darker tones , bringing them into the tones and colour I want to use. more adjustment layers are used for this. My main focus was to get a nice punchy blue and contrast. Once I have them where I want for now, I pull the middle tones in then followed by the higher tones. Using a combination of Saturation and Hue changes with the paint brush tool, the make was lifted and enhanced. I am not a big fan of the dodge or burn tools, instead i prefer to use levels and control them using layer masks. Colour work has begun on the eyes

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At this point I have my full colour adjusted photo pretty much where I want it, with the background nicely placed and  good place to start really finishing off this photo. If you look close, you should notice bits of the dress have been repaired, bits of hair placed to improve the balance, lips and jaw line lifted. The main change in this layer is the grey overtone that has been applied. This was done using a Duotone Layer made up from shades of Gray.

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Skin Colour work has really begun to take form. Using layer masks, lighter colours are painted over the skin in Screen mode to help build the matt shine. Work on the finger nails and hands has begun. The whole frame is being duplicated and re-layered over the existing photo , then blended back down to start to give the soft transparent shine. A few more areas are targeted for the unsharp mask tool. A few of the gems are lifted off the skin to create more balance. The stones that are left are sharpened one by one and have the glue behind them removed. Shape of the eye is enhanced.

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The whole photo is level corrected (duplicated, placed on top then merged down using layer blending modes, controlled with layer masks) , converted into CYMK, cropped into the cover ratio, logos added and printed. Simple !!  ish !!

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Face On Winter cover

Photographer | Dave Kai Piper

Model & Make Up | Liv Free

Styling | Krishan Parmar

Dress | Joe Challita

Rings | Fei Lui

 

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